Fine Art Etchings

Fine Art Etchings

Pond Lilies, Audrey Grendahl Kuhn (b. 1929), c.1975, intaglio serigraph, 14/125, signed, approx. 18×30 in.
$2,200.00
“SUN-UP,” Al Kaufman (1928–2005), 9×15 in. intaglio relief etching, signed and numbered 94/350.
$750.00
“Pirates’ Light,” Al Kaufman (1928–2005), 1970s, 9×14 in. intaglio relief etching, signed and numbered 164/350.
$750.00
“Parco-Vista,” Al Kaufman (1928–2005), 1970s, 13×14 in. intaglio relief etching, signed and numbered 288/350.
$950.00
Of Flowers That Bloom In The Wild -Original Embossed Etching & Aquatint -1981 -Signed & Number by Artist -110/150 -James Shell
$600.00
El Cóndor Pasa, Claudio Juárez (1938–2001), 1970s abstract etching & aquatint, 10×8 in, signed & numbered on handmade paper.
$2,200.00
Highland Morning (AP VIII), John Wade (b.1947), blue photo-emulsion etching, 16×30 in, signed & marked Artist’s Proof.
$1,100.00
Highland Morning (AP I), John Wade (b.1947), photo-emulsion etching, 16×30 in, signed & marked Artist’s Proof.
$1,000.00
The Leow Bridge Across Broadway, New York, hand-colored etching, c.1870s–1880s, 24×32 in, unsigned (engraver unknown).
$1,000.00
The New York and Brooklyn Suspension-Bridge, large 24×32 hand-colored etching, c.1880s, depicting early Brooklyn Bridge traffic and city life.
$1,000.00
Grand Central Depot, New York, large 24×32 hand-colored etching, c.1870s–1880s, depicting the original station’s grand train shed and bustling platforms.
$1,300.00
“Yesterday’s Tomorrow,” Mary Vickers, 1974 hand-colored etching, 22x18 in., signed and marked Artist’s Proof.
$1,600.00
“Waiting for Daddy,” Mary Vickers, 1974 etching, 19x19 in., signed and marked Artist’s Proof.
$1,400.00
“Three’s a Crowd,” Mary Vickers, 1973 etching, 16x20 in., signed and numbered 1/100.
$1,200.00
“My Garden,” Mary Vickers, 1974 hand-painted etching, 18x20 in., signed and marked Artist’s Proof.
$2,200.00
“The Good Times,” Mary Vickers (b. England), 1976 hand-colored etching, 22x15 in., signed lower right and numbered 1/175.
$1,400.00
“Whispering Breeze,” Miki Nagano’s 1980 hand-pulled etching (28x22), signed and numbered 1/200, a layered atmospheric abstraction in subtle tonal strata.
$2,400.00
“Maelstrom II,” Miki Nagano’s 1980 hand-pulled etching (28x22), signed and numbered 14/100, a dynamic abstraction of swirling line, motion, and depth.
$2,400.00
“Parts Department,” Audrey Grendahl Kuhn’s 1970s signed etching (30x22), edition 35/100, an embossed industrial assemblage evoking tools, mechanics, and modern design.
$2,100.00
“Metamorphosis,” Audrey Grendahl Kuhn’s 1970s signed intaglio etching (20x32), edition 1/100, a sculptural embossed triptych exploring organic transformation.
$2,100.00
“Harvest Time,” Audrey Grendahl Kuhn’s 1970s signed etching (22x30), edition 41/100, an earthy embossed landscape capturing seasonal rhythm and rural texture.
$2,100.00
“Sun, Fire, Leaves of a Dream,” a 1980 etching/aquatint by Sylvie Germain Covey (30×22 in.), signed and numbered 70/80 — a luminous botanical abstraction blending Eastern and Western printmaking
$2,100.00
Highland Morning (AP II), John Wade (b.1947), photo-emulsion etching, 16×30 in, signed & marked Artist’s Proof.
$1,800.00
Highlands Morning, John Wade (b.1947), photo-emulsion etching, 16×30 in, signed & numbered 5/50.
$1,800.00
Migration XII, John Wade (b.1947), intaglio etching, ca. 1970s–80s, 11×15 in, hand-titled and signed.
$1,100.00
Country Summer, John Wade (b.1947), 1970s emulsion etching, 10×11 in, signed & numbered 60/80.
$1,150.00
Nature’s Secret, John Wade (b.1947), 1970s emulsion etching, 11×15 in, signed & numbered 42/80.
$1,100.00
Coming Storm, John Wade (b.1947), 1960s experimental etching with photo-emulsion, 22×15 in, signed & numbered 69/100.
$1,300.00
“Waiting for Harry,” a 1960s limited-edition etching (16×22 in.), numbered 15/175, signed in pencil — a poised, contemplative figure study in profile.
$600.00
“Figure Reading,” Katherine R. McCabe, 1970s intaglio etching, 14×10 in., signed & numbered 3/50, a quiet interior rendered with exquisite linework.
$650.00
“Second Light,” Ruth Leaf, HC intaglio etching, 30×28 in., signed, an atmospheric circular landscape by a pioneering American printmaker.
$1,500.00
“H.M.S. Boston, 1749,” Alan B. McKnight, signed etching 28/100, a finely rendered historical maritime scene by the Woodstock artist and master draftsman.
$600.00
“Trees and Water,” Ruth Leaf, signed etching, 7/175, 29.75×21.5 in., a serene woodland landscape by the acclaimed American printmaker.
$1,100.00
Marshland,” Ruth Leaf, signed etching 6/150, 29.5×22 in., a richly textured, atmospheric wetlands landscape by a major American printmaker.
$1,100.00
“Summer of ’42,” Elizabeth Kitcho, hand-tinted etching 99/150, a nostalgic impressionist scene rendered with Kitcho’s signature romantic realism.
$925.00
“Fantasy,” Elizabeth Kitcho, hand-tinted etching 26/150, a lyrical portrait blending romantic realism and Art Nouveau–inspired linework.
$850.00
“Enchantment,” Elizabeth Kitcho, hand-tinted etching 35/150, a nostalgic scene of two women dancing through wildflowers in Kitcho’s signature romantic style.
$925.00
“A Harlot’s Progress – Plate 6,” William Hogarth, 1732, satirical etching & engraving, 25×19 in. sheet, signed in plate “Hogarth invt. pinxt. et sculpt.”
$1,800.00
“Harlot’s Progress – Plate 4,” William Hogarth, 1732 satirical etching & engraving, Bridewell Prison scene, 25×19 in. sheet, plate-signed “Hogarth invt. pinxt. et sculpt.”
$1,800.00
“Harlot’s Progress – Plate 5,” William Hogarth, 1732 satirical etching & engraving; Moll dying in her garret while physicians quarrel; plate-signed by Hogarth.
$2,000.00
“Harlot’s Progress – Plate 2,” William Hogarth, 1732 satirical etching & engraving; Moll as a wealthy merchant’s mistress, plate-signed by Hogarth.
$2,100.00
“Quiet Terraces,” Barbara Domroe, 1/1 unique hand-pulled etching, signed & numbered, 41×30 in., serene abstracted natural landscape.
$1,900.00
“Impressions,” Barbara Domroe, hand-pulled etching, 55/250, 29.75×22 in., serene circular botanical and water reflection landscape.
$1,200.00
“Fantasia,” Barbara Domroe, hand-pulled etching (233/250), floral fan-shaped composition, signed and numbered, 29.75×22 in.
$1,700.00
“Light Source II,” Boris Chezar (1913–2008), c.1970s, 22×30 in. hand-drawn intaglio serigraph, signed & numbered 19/100.
$1,650.00
“Rotating Forms,” Boris Chezar (1913–2008), c.1970s, 22×30 in. hand-drawn intaglio serigraph, signed & numbered 26/125.
$1,550.00
“Spark,” Boris Chezar (1913–2008), c.1970s, 22×30 in. hand-drawn intaglio serigraph, image 18×27 in., pencil-signed and numbered 49/125.
$1,550.00
“Marshside Raccoon,” Carole Branagan (American, 20th c.), c.1970s etching on paper, 15×11 in sheet, 7.5 in image, pencil-signed, ed. 4/100.
$425.00
“Whispering Breeze,” Miki Nagano’s 1980 etching (17x22), signed and numbered 6/100, a layered atmospheric abstraction in deep organic tonal waves.
$1,999.00
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“Ciel Arable,” René Mels (Belgian, 1909–1986), c.1950s état proof etching, 20×26 in sheet, signed & inscribed épreuve d’état
$1,900.00
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“Abstract,” G. Pugh (20th-c.), 1969 original etching, 15×20 in, signed & numbered 8/50, hand-pulled intaglio with gestural figurative abstraction.
$450.00
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“Woman with Basket,” Jacques Schedler (Swiss, 1921–1988), c.1957, hand-drawn etching/lithograph, 13×19 in., signed & marked E.A. artist’s proof.
$1,600.00
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“Muscicapa Psalura,” Mrs. Griffith after Shaw, c.1825, hand-colored copperplate engraving, 12.5×18 in., printed London, plate-signed.
$450.00
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“Furnarius Flaveolus, Pl. 27,” c.1820–1830 hand-colored copperplate engraving, 12.5×18 in., early ornithology plate with original plate mark.
$425.00
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“Untitled (Abstract Form),” Ariel (20th c.), 1980, hand-drawn etching, 11×14 in., signed & numbered 18/225.
$300.00
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“God, Birth, Death,” Anthony Michael Autorino (1937–2015), c.1965–75, etched intaglio print, approx. 8×10 in. plate, signed & numbered 9/10.
$450.00
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“Miniature Bird,” Arun Bose (1934–2007), 1973, tiny etching with aquatint 2.5×2.5 in. on 11×15 in. sheet, signed & numbered 9/75.
$650.00
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“Woodland Path (attributed),” Marvin B. Rapaport (American, 20th c.), 1970s etched Artist’s Proof, 7×7.5 in, pencil-signed “Rapaport.”
$475.00
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“Fragile Beauty,” Elizabeth Kitcho, c.1970s, hand-tinted etching, 17x13 in., pencil-signed and numbered 85/150.
$650.00
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“Wind on the Water,” Ruth Leaf, signed HC etching, 29.75×22.25 in., a serene circular shoreline landscape by the master American printmaker.
$1,500.00
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“The Way We Were,” Elizabeth Kitcho, signed Artist’s Proof etching, a nostalgic lakeside scene of youthful friendship in Kitcho’s romantic impressionistic style.
$650.00
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“Harlot’s Progress – Plate 3,” William Hogarth, 1732 satirical etching & engraving; Moll’s fall into prostitution; plate-signed by Hogarth.
$2,100.00
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Of Flowers That Bloom in the Wild, James Shell (1944–2019), 1981 embossed etching & aquatint, 12.5×7.5 in, signed & numbered 116/150.
$600.00
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“Tenderness,” Irving Amen’s signed 1960s aquatint etching (23×17 in.), edition 177/200, depicting a mother and child with Amen’s signature humanistic warmth.
$1,600.00
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“Enduring Pines,” Barbara Domroe, signed HC etching/serigraph, 29.75×22 in., rugged rocky landscape with long-limbed pines.
$2,200.00
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“Mariposa de Villa Serrana,” Rimer Cardillo (Uruguayan, b.1944), c.1978 aquatint etching with embossing on paper, 22×30 in, pencil-signed, ed. 10/50.
$1,850.00
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“Fleur au Lac,” Rimer Cardillo (Uruguayan, b.1944), c.1970s signed HC intaglio etching, 22×30 in, hand-pulled, numbered and pencil-signed.
$1,100.00
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“Cucharita,” Rimer Cardillo (Uruguayan, b.1944), c.1970s etching–aquatint–engraving, 11×15 in, signed & numbered 147/150.
$750.00
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“Rosa,” Rimer Cardillo (Uruguayan, b.1944), c.1970s etching–aquatint–engraving with embossing, 11×15 in, signed & numbered 112/150.
$750.00
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