Antique Paris lithograph by Isidore Laurent Deroy depicting Place Vendôme, drawn from life and lithographed by the artist, published by leading 19th-century Paris éditeurs Lebrasseur and Dutot.

$1,500.00

Antique Paris lithograph by Isidore Laurent Deroy depicting Place Vendôme, drawn from life and lithographed by the artist, published by leading 19th-century Paris éditeurs Lebrasseur and Dutot.

This rare 19th-century Paris cityscape is a hand-colored lithograph by Isidore Laurent Deroy, depicting the iconic Place Vendôme and its monumental column during the early Second Empire period. Drawn from life and lithographed by Deroy himself, the work exemplifies French architectural printmaking and urban documentation prior to Haussmann’s transformation of Paris. Published by prominent Paris éditeurs R. Lebrasseur and Dutot, and printed by Imp. Marie & Cie, this original antique lithograph reflects the high standards of mid-19th-century Parisian print production. Ideal for collectors of antique Paris prints, architectural city views, French lithographs, and historic European works on paper.

Artwork Description
This finely executed 19th-century lithograph depicts Place Vendôme, one of Paris’s most important civic squares, centered on the Vendôme Column and framed by stately classical architecture. Figures and horse-drawn carriages animate the scene, offering a vivid record of Parisian life during the mid-19th century.

The work is a hand-colored stone lithograph drawn directly from observation and executed by Isidore Laurent Deroy, as confirmed by the in-plate inscription “Dessiné d’après nature et lithog. par Deroy.” The print was produced and distributed through prominent Parisian publishing channels, bearing the imprints of R. Lebrasseur and Dutot, both active as éditeurs specializing in architectural and topographical views.

Printing was carried out by Imp. Marie & Cie, located at 17 rue Salle-au-Comte, Paris, a professional lithographic printing house known for high-quality stone impressions. The presence of multiple éditeur and printer credits reflects standard 19th-century Paris publishing practice, in which artists, publishers, and printers collaborated to disseminate views of Paris for domestic and international markets.

Stylistically and historically, the work belongs to the late July Monarchy and early Second Empire period, prior to Haussmann’s major redesign of Paris, preserving the city’s architectural character before modernization.

Artist Biography
Isidore Laurent Deroy (French, 1797–1886) was a painter, draughtsman, and prolific lithographer of architectural views and historic sites. Born in Paris, he studied under Louis-François Cassas, whose influence shaped Deroy’s disciplined approach to architectural accuracy and topographical detail.

Deroy exhibited regularly at the Paris Salon between 1822 and 1866 and became widely known for his lithographs documenting Parisian monuments and urban spaces drawn directly from life. His works are held in major institutional collections including the Metropolitan Museum of Art, the Smithsonian Institution, and numerous French museums. His sons, Émile Deroy and Auguste-Victor Deroy, also became accomplished artists.

Concise Auction Listing:
Isidore Laurent Deroy (French, 1797–1886), Place Vendôme, Paris, c.1835–1855. Hand-colored lithograph. Drawn and lithographed by the artist. Published by Lebrasseur & Dutot. Printed by Imp. Marie & Cie.

Certificate of Value & Authentication:
This work is an authentic 19th-century French lithograph by Isidore Laurent Deroy, confirmed by the in-plate inscription stating the work was drawn from life and lithographed by the artist. Publisher and printer imprints for Lebrasseur, Dutot, and Imp. Marie & Cie confirm period Paris production consistent with Deroy’s documented oeuvre.

Provenance:
Mitch Morse Gallery, New York City (acquired through NYC and European sources)
Private collection
Current owner: Artfind Gallery, Washington, DC

Met

Antique Paris lithograph by Isidore Laurent Deroy depicting Place Vendôme, drawn from life and lithographed by the artist, published by leading 19th-century Paris éditeurs Lebrasseur and Dutot.

This rare 19th-century Paris cityscape is a hand-colored lithograph by Isidore Laurent Deroy, depicting the iconic Place Vendôme and its monumental column during the early Second Empire period. Drawn from life and lithographed by Deroy himself, the work exemplifies French architectural printmaking and urban documentation prior to Haussmann’s transformation of Paris. Published by prominent Paris éditeurs R. Lebrasseur and Dutot, and printed by Imp. Marie & Cie, this original antique lithograph reflects the high standards of mid-19th-century Parisian print production. Ideal for collectors of antique Paris prints, architectural city views, French lithographs, and historic European works on paper.

Artwork Description
This finely executed 19th-century lithograph depicts Place Vendôme, one of Paris’s most important civic squares, centered on the Vendôme Column and framed by stately classical architecture. Figures and horse-drawn carriages animate the scene, offering a vivid record of Parisian life during the mid-19th century.

The work is a hand-colored stone lithograph drawn directly from observation and executed by Isidore Laurent Deroy, as confirmed by the in-plate inscription “Dessiné d’après nature et lithog. par Deroy.” The print was produced and distributed through prominent Parisian publishing channels, bearing the imprints of R. Lebrasseur and Dutot, both active as éditeurs specializing in architectural and topographical views.

Printing was carried out by Imp. Marie & Cie, located at 17 rue Salle-au-Comte, Paris, a professional lithographic printing house known for high-quality stone impressions. The presence of multiple éditeur and printer credits reflects standard 19th-century Paris publishing practice, in which artists, publishers, and printers collaborated to disseminate views of Paris for domestic and international markets.

Stylistically and historically, the work belongs to the late July Monarchy and early Second Empire period, prior to Haussmann’s major redesign of Paris, preserving the city’s architectural character before modernization.

Artist Biography
Isidore Laurent Deroy (French, 1797–1886) was a painter, draughtsman, and prolific lithographer of architectural views and historic sites. Born in Paris, he studied under Louis-François Cassas, whose influence shaped Deroy’s disciplined approach to architectural accuracy and topographical detail.

Deroy exhibited regularly at the Paris Salon between 1822 and 1866 and became widely known for his lithographs documenting Parisian monuments and urban spaces drawn directly from life. His works are held in major institutional collections including the Metropolitan Museum of Art, the Smithsonian Institution, and numerous French museums. His sons, Émile Deroy and Auguste-Victor Deroy, also became accomplished artists.

Concise Auction Listing:
Isidore Laurent Deroy (French, 1797–1886), Place Vendôme, Paris, c.1835–1855. Hand-colored lithograph. Drawn and lithographed by the artist. Published by Lebrasseur & Dutot. Printed by Imp. Marie & Cie.

Certificate of Value & Authentication:
This work is an authentic 19th-century French lithograph by Isidore Laurent Deroy, confirmed by the in-plate inscription stating the work was drawn from life and lithographed by the artist. Publisher and printer imprints for Lebrasseur, Dutot, and Imp. Marie & Cie confirm period Paris production consistent with Deroy’s documented oeuvre.

Provenance:
Mitch Morse Gallery, New York City (acquired through NYC and European sources)
Private collection
Current owner: Artfind Gallery, Washington, DC

Met

About the Publisher, Printer & Lithographic Process (Collector Description)

This work was published by R. Lebrasseur and Dutot, both active 19th-century Paris éditeurs specializing in architectural and topographical views. Their publications were aimed at an educated audience interested in accurate, visually refined representations of major monuments, streets, and civic spaces during a period of rapid urban change.

Printing was carried out by Imp. Marie & Cie, located at 17 rue Salle-au-Comte, Paris, a professional lithographic printing house recognized for high-quality stone impressions and precise architectural rendering. Marie & Cie worked using traditional stone lithography, a process that allowed artists and printers to reproduce the look of original drawing with exceptional fidelity.

In stone lithography, the image is drawn directly onto a flat limestone surface using a grease-based medium. The stone is then chemically treated so that the drawn areas attract ink while the surrounding surface repels it. When paper is pressed onto the stone, the ink transfers cleanly to the sheet, preserving fine line, tonal variation, and subtle shading. This method is fundamentally different from engraving, which requires cutting lines into metal plates.

Because lithography reproduces the artist’s drawn line rather than an incised groove, it was especially well suited to architectural views, where clarity, proportion, and atmospheric detail were essential. Many prints from this period, including this example, were further enhanced with hand-applied watercolor, added after printing to enrich depth, foliage, sky, and architectural surfaces. Each impression therefore possesses slight individual variation, making every sheet unique.

Why This Matters to Collectors

The collaboration between Lebrasseur and Dutot as publishers and Marie & Cie as printer firmly places this work within the professional Paris print trade of the mid-19th century, rather than the realm of later decorative reproductions. These were original lithographs, produced contemporaneously using established stone-printing techniques and intended for long-term appreciation.

Collectors value works from this publishing and printing network for their:

  • Authentic 19th-century production

  • Use of traditional stone lithography

  • Clean, well-balanced impressions

  • Accurate documentation of historic architecture and city life

  • Hand coloring that enhances both aesthetic and decorative appeal

What Buyers Should Know

  • This is an original antique lithograph, not a modern reproduction

  • Printed using traditional stone lithography, not engraving or offset printing

  • Hand coloring was applied after printing, making each example slightly unique

  • Natural age characteristics are expected and confirm period authenticity