A rare 1970s geometric serigraph on prismatic vinyl by Mimo, Artist’s Proof, featuring layered star and curvilinear motifs in vibrant green and yellow with crisp black outlines and light-reactive surface effects.
This lively geometric abstraction by Mimo synthesizes hard-edge precision with an engaging optical surface. At the composition’s core is a compact square of interlocking triangles and curved elements, radiating outward into a multi-lobed star-like framework. Surrounding this focal center are symmetrical arcs and tapered forms in bright green and lemon yellow set against a neutral brown field, all contained within black linear boundaries that give the work a kinetic graphic rhythm.
Executed as a serigraph (screenprint) on a textured prismatic vinyl substrate, the piece captures and scatters light as the viewer’s perspective shifts, producing subtle optical variations across the surface. This interplay between material and form situates the work within the visual dialogues of the late 1960s–1970s, when artists were fascinated with optical perception, reflective surfaces, and the architectural potential of printed graphics.
The print is marked A.P. (Artist’s Proof) in pencil and signed “Mimo”, confirming its production outside the regular edition and suggesting a close association with the artist or studio. The execution evidences careful layering and exacting screen registration, required to maintain crisp edges and balanced color harmonies on a difficult vinyl surface.
Stylistically, this work balances the rational structures of geometric abstraction with the sensory richness of a light-responsive ground, making it equally compelling as a fine art object and a decorative modernist statement piece.
Mimo is an abstract artist active in the late 1960s through the 1970s, best known for geometric serigraphs printed on prismatic and textured vinyl. Although comprehensive biographical records remain limited and the artist is not widely catalogued in standard art historical references, Mimo’s visual language places him within the currents of Hard–Edge abstraction, Op Art, and mid-20th-century modernist printmaking.
Mimo’s work is distinguished by a disciplined use of symmetry, modular geometry, and a keen sense for materiality. In the 1970s, a number of artists and print studios began experimenting with nontraditional supports such as plastic and vinyl, seeking new optical and tactile effects beyond what was possible on paper alone. Mimo’s choice of prismatic vinyl—a substrate that refracts and modulates light—demonstrates a sophisticated awareness of how surface, light, and ink interact.
The compositions typically feature nested geometric systems: central squares, radiating arcs, and angular border motifs that evoke both architectural form and optical movement. This structural clarity situates Mimo’s work within the broader context of international abstraction, suggesting affinities with artists who sought to extend the vocabulary of geometric design into new materials and visual experiences.
Although not widely documented in museum catalogs, Mimo’s prints were distributed through respected galleries in the United States, including Mitch Morse Gallery, a New York dealer known for showcasing mid-century and modern graphic works. The presence of Artist’s Proofs in established collections indicates that Mimo’s work was produced in a serious studio context with intentional editioning practices.
Collectors today prize these works for their visual impact, technical ambition, and material innovation: they capture a unique moment when printmaking intersected with industrial surfaces and interior design sensibilities. Mimo’s signatures are consistent across known examples, always executed in pencil with a distinctive, compact script that reinforces the artist’s professional practice.
Mimo (active 1970s) — Untitled (Prismatic Star Form), c.1970s. Serigraph on prismatic vinyl, 24 × 24 in., signed “Mimo,” Artist’s Proof. Bold geometric abstraction with optic surface interaction. Provenance: Mitch Morse Gallery → Artfind Gallery, Washington DC.
Certificate of Authenticity & Estimated Value
Artist: Mimo (active 1970s)
Title: Untitled (Prismatic Star Form)
Date: c.1970s
Medium: Serigraph on prismatic vinyl
Dimensions: 24 × 24 in.
Edition: Artist’s Proof (A.P.)
Signature: Signed in pencil “Mimo”
Mimo → Mitch Morse Gallery (New York; works acquired in NYC & Europe) → Artfind Gallery, Washington DC(current owner)
A rare 1970s geometric serigraph on prismatic vinyl by Mimo, Artist’s Proof, featuring layered star and curvilinear motifs in vibrant green and yellow with crisp black outlines and light-reactive surface effects.
This lively geometric abstraction by Mimo synthesizes hard-edge precision with an engaging optical surface. At the composition’s core is a compact square of interlocking triangles and curved elements, radiating outward into a multi-lobed star-like framework. Surrounding this focal center are symmetrical arcs and tapered forms in bright green and lemon yellow set against a neutral brown field, all contained within black linear boundaries that give the work a kinetic graphic rhythm.
Executed as a serigraph (screenprint) on a textured prismatic vinyl substrate, the piece captures and scatters light as the viewer’s perspective shifts, producing subtle optical variations across the surface. This interplay between material and form situates the work within the visual dialogues of the late 1960s–1970s, when artists were fascinated with optical perception, reflective surfaces, and the architectural potential of printed graphics.
The print is marked A.P. (Artist’s Proof) in pencil and signed “Mimo”, confirming its production outside the regular edition and suggesting a close association with the artist or studio. The execution evidences careful layering and exacting screen registration, required to maintain crisp edges and balanced color harmonies on a difficult vinyl surface.
Stylistically, this work balances the rational structures of geometric abstraction with the sensory richness of a light-responsive ground, making it equally compelling as a fine art object and a decorative modernist statement piece.
Mimo is an abstract artist active in the late 1960s through the 1970s, best known for geometric serigraphs printed on prismatic and textured vinyl. Although comprehensive biographical records remain limited and the artist is not widely catalogued in standard art historical references, Mimo’s visual language places him within the currents of Hard–Edge abstraction, Op Art, and mid-20th-century modernist printmaking.
Mimo’s work is distinguished by a disciplined use of symmetry, modular geometry, and a keen sense for materiality. In the 1970s, a number of artists and print studios began experimenting with nontraditional supports such as plastic and vinyl, seeking new optical and tactile effects beyond what was possible on paper alone. Mimo’s choice of prismatic vinyl—a substrate that refracts and modulates light—demonstrates a sophisticated awareness of how surface, light, and ink interact.
The compositions typically feature nested geometric systems: central squares, radiating arcs, and angular border motifs that evoke both architectural form and optical movement. This structural clarity situates Mimo’s work within the broader context of international abstraction, suggesting affinities with artists who sought to extend the vocabulary of geometric design into new materials and visual experiences.
Although not widely documented in museum catalogs, Mimo’s prints were distributed through respected galleries in the United States, including Mitch Morse Gallery, a New York dealer known for showcasing mid-century and modern graphic works. The presence of Artist’s Proofs in established collections indicates that Mimo’s work was produced in a serious studio context with intentional editioning practices.
Collectors today prize these works for their visual impact, technical ambition, and material innovation: they capture a unique moment when printmaking intersected with industrial surfaces and interior design sensibilities. Mimo’s signatures are consistent across known examples, always executed in pencil with a distinctive, compact script that reinforces the artist’s professional practice.
Mimo (active 1970s) — Untitled (Prismatic Star Form), c.1970s. Serigraph on prismatic vinyl, 24 × 24 in., signed “Mimo,” Artist’s Proof. Bold geometric abstraction with optic surface interaction. Provenance: Mitch Morse Gallery → Artfind Gallery, Washington DC.
Certificate of Authenticity & Estimated Value
Artist: Mimo (active 1970s)
Title: Untitled (Prismatic Star Form)
Date: c.1970s
Medium: Serigraph on prismatic vinyl
Dimensions: 24 × 24 in.
Edition: Artist’s Proof (A.P.)
Signature: Signed in pencil “Mimo”
Mimo → Mitch Morse Gallery (New York; works acquired in NYC & Europe) → Artfind Gallery, Washington DC(current owner)
