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About
Shop
inSight
Private Viewings
Merchandise Pickup
Contact
0
0
Find Yours
About
Shop
inSight
Private Viewings
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Contact
Find Yours
Shop 'ABSTRACT' -Marbled Composition of Oil Paint on Board -Heinrich Franger -1960's -Signed by Artist
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'ABSTRACT' -Marbled Composition of Oil Paint on Board -Heinrich Franger -1960's -Signed by Artist

$950.00
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“ABSTRACT” by Heinrich Franger is a captivating marbled composition of oil paint on board created in the 1960s, measuring 8x10 inches and proudly signed by the artist himself. This enchanting piece, once nestled in a vibrant NYC gallery, has been marinating in artistic dormancy for over 50 years. Born in Wiesbaden and later flourishing in cities from Gothenburg to the sun-soaked shores of Marbella, Franger's work defies simplistic categorization. Professor Del Castillo praised Franger’s unique ability to weave personal expression into the very fabric of abstraction, likening him to a poetic soul among his contemporaries. The vibrant swirls and emotive hues of “ABSTRACT” invite viewers to dive deep into a dreamy exploration where formlessness dances with meaning, embodying a true crossroad of creativity. This classic treasure is not merely a piece of art; it’s a portal into Franger’s diverse experiences across Europe — a must-have for any art lover looking to add a sprinkle of history with a twist of the quirky!

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“ABSTRACT” by Heinrich Franger is a captivating marbled composition of oil paint on board created in the 1960s, measuring 8x10 inches and proudly signed by the artist himself. This enchanting piece, once nestled in a vibrant NYC gallery, has been marinating in artistic dormancy for over 50 years. Born in Wiesbaden and later flourishing in cities from Gothenburg to the sun-soaked shores of Marbella, Franger's work defies simplistic categorization. Professor Del Castillo praised Franger’s unique ability to weave personal expression into the very fabric of abstraction, likening him to a poetic soul among his contemporaries. The vibrant swirls and emotive hues of “ABSTRACT” invite viewers to dive deep into a dreamy exploration where formlessness dances with meaning, embodying a true crossroad of creativity. This classic treasure is not merely a piece of art; it’s a portal into Franger’s diverse experiences across Europe — a must-have for any art lover looking to add a sprinkle of history with a twist of the quirky!

“ABSTRACT” by Heinrich Franger is a captivating marbled composition of oil paint on board created in the 1960s, measuring 8x10 inches and proudly signed by the artist himself. This enchanting piece, once nestled in a vibrant NYC gallery, has been marinating in artistic dormancy for over 50 years. Born in Wiesbaden and later flourishing in cities from Gothenburg to the sun-soaked shores of Marbella, Franger's work defies simplistic categorization. Professor Del Castillo praised Franger’s unique ability to weave personal expression into the very fabric of abstraction, likening him to a poetic soul among his contemporaries. The vibrant swirls and emotive hues of “ABSTRACT” invite viewers to dive deep into a dreamy exploration where formlessness dances with meaning, embodying a true crossroad of creativity. This classic treasure is not merely a piece of art; it’s a portal into Franger’s diverse experiences across Europe — a must-have for any art lover looking to add a sprinkle of history with a twist of the quirky!

Heinrich Franger, born 18-05-1919 in Wiesbaden and died 15-11-2006 in Marbella (Spain).

Education : The Wadang Academy in Gothenburg (Sweden)

He live and worked in Leiden (Netherlands) and for a long time in Spain.

Heinrich Franger made many study trips in Europe and exhibited in :Gothenburg - Cologne - Dortmund - Hannover - Paris - Stockholm - Karlsruhe - Stuttgart - Bilbao - Barcelona - Munich - Palma de Mallorca. He’s work is in many museums and private collections.

From a review by Professor Del Castillo, 1966: ‘It is curious that the abstract - formless in its essence - contains in Franger such a high degree of personal expression, even in comparison with the well-known expressionists of his native country, such as Klee and Ernst. From this point of view Franger appears to us as the poet among the abstracts, and we might, if we had to classify him, call him concrete, abstract and naturalistic.’

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