Bridge Castle by Marta Hebes Perez Frascaroli, serigraph on paper, signed and numbered 25/200. Depicts a detailed stone bridge and castle rendered in tonal shades of sepia and ochre with delicate line work. Sheet size 23 _ 31 in. Artist Note: Born in Buenos Aires, Frascaroli trained in classical European technique before turning to stage and costume design. Her landscapes blend oil and ink methods, recalling the influence of Claude de Lorrain.
"BRIDGE CASTLE" -23×31” by Marta Hebes Perez Frascaroli is a striking serigraph that captivates the viewer with its intricate layers and monochromatic brilliance. Signed and numbered 25/200, this piece comes from a retired NYC Manhattan gallery, resting in storage for over 40 years, and carries with it a rich history intertwined with Frascaroli's own journey. Born and educated in Buenos Aires, she initially embraced the stringent formalities of European fine art training, cultivating her technique under the watchful eyes of traditional masters. However, after a spirited rebellion against convention, which led her to a flourishing career in stage and costume design, she returned to her artistic roots, blending oil and ink in a way that invokes the essence of classical landscapes akin to Claude de Lorrain. Today, her work is celebrated across numerous galleries in the United States, where "BRIDGE CASTLE" stands out as a testament to her unique vision and artistic evolution.
Bridge Castle by Marta Hebes Perez Frascaroli, serigraph on paper, signed and numbered 25/200. Depicts a detailed stone bridge and castle rendered in tonal shades of sepia and ochre with delicate line work. Sheet size 23 _ 31 in. Artist Note: Born in Buenos Aires, Frascaroli trained in classical European technique before turning to stage and costume design. Her landscapes blend oil and ink methods, recalling the influence of Claude de Lorrain.
"BRIDGE CASTLE" -23×31” by Marta Hebes Perez Frascaroli is a striking serigraph that captivates the viewer with its intricate layers and monochromatic brilliance. Signed and numbered 25/200, this piece comes from a retired NYC Manhattan gallery, resting in storage for over 40 years, and carries with it a rich history intertwined with Frascaroli's own journey. Born and educated in Buenos Aires, she initially embraced the stringent formalities of European fine art training, cultivating her technique under the watchful eyes of traditional masters. However, after a spirited rebellion against convention, which led her to a flourishing career in stage and costume design, she returned to her artistic roots, blending oil and ink in a way that invokes the essence of classical landscapes akin to Claude de Lorrain. Today, her work is celebrated across numerous galleries in the United States, where "BRIDGE CASTLE" stands out as a testament to her unique vision and artistic evolution.
