"FEMALE NUDES STUDY" -Anthony Michael Autorino -1960's -Charcoal on Paper -Conjoined letters Signature
The "Female Nudes Study" by Anthony Michael Autorino is a captivating glimpse into the artist's talent and versatility, crafted in the 1960s using charcoal on paper. Measuring 12 x 17 inches, this rare piece showcases a conjoined letter signature, reflecting a whimsical touch from an artist whose work danced between Impressionism and vibrant contemporary life. Influenced by his rich experiences in Paris and the artistic vibrancy of New York City, Autorino's studies often embody a reverence for the human form, revealing the beauty of femininity through fluid lines and soft shading. Having spent decades in storage since its time in a Manhattan gallery, this extraordinary work serves not only as a testament to Autorino's skill but also as a precious artifact of an era when art was both an intimate language of emotion and a shared connection to the world around us.
The "Female Nudes Study" by Anthony Michael Autorino is a captivating glimpse into the artist's talent and versatility, crafted in the 1960s using charcoal on paper. Measuring 12 x 17 inches, this rare piece showcases a conjoined letter signature, reflecting a whimsical touch from an artist whose work danced between Impressionism and vibrant contemporary life. Influenced by his rich experiences in Paris and the artistic vibrancy of New York City, Autorino's studies often embody a reverence for the human form, revealing the beauty of femininity through fluid lines and soft shading. Having spent decades in storage since its time in a Manhattan gallery, this extraordinary work serves not only as a testament to Autorino's skill but also as a precious artifact of an era when art was both an intimate language of emotion and a shared connection to the world around us.
The "Female Nudes Study" by Anthony Michael Autorino is a captivating glimpse into the artist's talent and versatility, crafted in the 1960s using charcoal on paper. Measuring 12 x 17 inches, this rare piece showcases a conjoined letter signature, reflecting a whimsical touch from an artist whose work danced between Impressionism and vibrant contemporary life. Influenced by his rich experiences in Paris and the artistic vibrancy of New York City, Autorino's studies often embody a reverence for the human form, revealing the beauty of femininity through fluid lines and soft shading. Having spent decades in storage since its time in a Manhattan gallery, this extraordinary work serves not only as a testament to Autorino's skill but also as a precious artifact of an era when art was both an intimate language of emotion and a shared connection to the world around us.
Anthony Michael Autorino (1937 – 2015) American Impressionist
The son of Italian immigrants, Anthony Michael Autorino was born on September 29, 1937 in Montclair, New Jersey. As a teenager, Autorino enlisted in the United States Air Force where he served an eight-year tour. His expertise in the field of cryptography landed him in Paris in the mid-1950s as an Air Force sergeant working at the United States Embassy. He spent nearly four years, studying mostly in Paris, with frequent trips to Holland and Italy. By the mid-1960s, New York City had become the center of activity for the career of this highly regarded young artist. By the mid-1960s, New York City had become the center of activity for the career of this highly regarded young artist.
By 1968, disillusioned by the hustle and bustle, Autorino made the decision to relocate. His passion for paintings nature and the outdoors led him to the Delaware Valley. Charmed by the welcoming art community, New Hope would be the home of the new studio/gallery named “The Gallery” on Mechanic Street. In 1982, “The Gallery” was relocated across the river to neighboring Lambertville, New Jersey, where it remained for twenty years.
In the 1980s, he took up residence and studio in Buckingham, Pennsylvania, at the former home of renowned New Hope Impressionist, George Sotter.
His work reflects a basic reverence for life. In his sometimes blurred or out-of-focus softness comes a message that all things are related -flesh, air, light, leaves and water. There are no points where one ceases to be and another starts - and so life.
“Painting for me is simple communication through universal language, limited in scope only by one’s imagination and vocabulary.”
Anthony exhibited at the National Academy of Design in New York City, the Salmagundi Club, the Allied Artists, the American Watercolor Society and the Philadelphia Sketch Club. He has received many awards and honors for his paintings, which are represented in numerous private, institutional and corporate collections internationally.
His preferred medium is oil and he draws inspiration from his local predecessors, such as Edward Redfield, Daniel Garber, William Lathrop, George Sotter and Robert Spencer as well as “Hudson River School” great, George Inness.
Autorino’s work is unique in style and combines an early twentieth century feel with present-day subjects. His soft palette masterfully captures the mood of each individual setting from falling snow to nocturnal views of the Delaware River. Anthony’s work is clearly a continuing chapter in the story of “New Hope School” Impressionist painting.
https://www.pbs.org/wgbh/roadshow/appraisals/anthony-michael-autorino-oil-ca-2000/ - an appraisal on PBS
Note on Signature: He uses an artist signature device of conjoined letters: ‘M’ with a line through it which doubles as 2 A’s - first for Anthony, the M is for Michael and last A for Autorino. The ‘MAA’ is followed by a lower case ‘u’, and then the rest of his last name ‘Torino’.
