Jack Hagman’s “Forest I” is a luminous multilayered lithograph that captures sunlight filtering through dense woodland, rendered in tones of gold, rust, moss green, and soft blue. Signed and numbered 102/300, this 11×14 in. print showcases Hagman’s celebrated mastery of atmospheric color, contemporary landscape abstraction, and tonal layering. A standout work for collectors of American modernist landscapes, vintage lithographs, and nature-inspired fine art.
“Forest I” immerses the viewer in a radiant woodland scene where sunlight streams through tall trees, creating shifting patterns of shadow, color, and texture. Hagman layers multiple lithographic color plates—warm amber, rusty red, deep brown, olive green, and blue-gray—to create a dense visual tapestry. The result feels both painterly and graphic, with the shimmering light evoking the sensation of standing inside a glowing late-afternoon forest.
The trees are rendered with vertical strokes and textured densities, giving their trunks and branches a rhythmic, almost musical presence. The foliage dissolves into an abstract canopy overhead, while the yellow underglow behind the trees suggests sunlight bursting through a clearing. Hagman’s control of tonal transitions—light filtering across bark, branches silhouetted in foreground, and soft atmospheric haze in the distance—demonstrates his refined sensibility for nature interpreted through modern printmaking.
The work is hand-signed “Hagman” in graphite at the lower right, titled “Forest I” at center, and numbered 102/300 at the lower left. Created during the 1970s, this composition aligns with Hagman’s broader exploration of landscapes rendered as emotional environments rather than literal depictions. It is a celebration of pattern, color, and the spiritual hush of natural spaces.
Jack (John) Hagman (American, 1937–2015) was a painter, printmaker, actor, and theater director whose visual and performing arts career left an enduring mark on the Midwest creative community. Born in Chicago on December 22, 1937, Hagman grew up within the city’s vibrant artistic culture, later studying art in the Chicago area and developing a deep foundation in drawing, painting, and printmaking. His artistic identity formed at the intersection of modernist experimentation and accessible, emotionally resonant landscape imagery.
Hagman began exhibiting professionally by the late 1960s, gaining recognition for his lithographs—some conceptual and geometric, others luminous interpretations of forests, valleys, and canyon landscapes. In the 1970s he became associated with Merrill Chase Galleries, which played a major role in distributing his work nationally. His prints circulated widely across the United States, placing him among notable American printmakers of the period.
His work is represented in major institutions including the Notable: Artist has three works in the Smithsonian American Art Museum and the Allen Memorial Art Museum at Oberlin College. Several of his lithographs were included in the Harvard Art Museums’ rental collection, indicating the esteem with which his work was held in academic and curatorial circles.
Hagman’s landscapes are characterized by simplified silhouettes, tonal intensities, and atmospheric layering. Rather than focusing on literal representation, he aimed to evoke the emotional experience of place—stillness, contemplation, and the subtle drama of shifting light. Works such as “Forest I,” “Green Sunlit Valley,” and “Butte I/II” demonstrate his ability to merge abstraction with nature’s inherent structure.
A versatile creative figure, Hagman was also deeply engaged in theater. He acted, directed, and designed sets for the Chicago Street Theatre in Valparaiso, Indiana, where he lived for many years. This interdisciplinary involvement enriched his visual sensibility and reinforced his reputation as a generous and dedicated artistic contributor to his community.
Jack Hagman passed away on April 3, 2015, leaving a legacy of evocative modernist landscapes and innovative lithographs that continue to attract collectors who appreciate expressive minimalism and nature-centered abstraction.
Jack Hagman (1937–2015), Forest I, c.1970s, 11×14 in. color lithograph, signed lower right, titled, numbered 102/300. Multilayered modernist woodland landscape with luminous golden light; excellent impression.
Certificate of Value & Authentication
This certificate verifies that “Forest I” is an authentic lithograph by Jack Hagman (American, 1937–2015).
Medium: Hand-pulled color lithograph
Dimensions: approx. 11 × 14 inches
Date: c. 1970s
Edition: 102/300
Signature: Hand-signed “Hagman”; titled and numbered in graphite
Authentication is based on signature examination, edition notation, printing process, paper type, and verified provenance through Mitch Morse Gallery. Suitable for valuation, insurance, and resale.
Artist: Jack Hagman (American, 1937–2015)
Original publisher/gallery distribution, U.S., c.1970s
Acquired by Mitch Morse Gallery (NYC, with additional U.S. & European sourcing)
Sold through Mitch Morse Gallery to private collectors
Current Owner: Artfind Gallery, Washington DC
Jack Hagman’s “Forest I” is a luminous multilayered lithograph that captures sunlight filtering through dense woodland, rendered in tones of gold, rust, moss green, and soft blue. Signed and numbered 102/300, this 11×14 in. print showcases Hagman’s celebrated mastery of atmospheric color, contemporary landscape abstraction, and tonal layering. A standout work for collectors of American modernist landscapes, vintage lithographs, and nature-inspired fine art.
“Forest I” immerses the viewer in a radiant woodland scene where sunlight streams through tall trees, creating shifting patterns of shadow, color, and texture. Hagman layers multiple lithographic color plates—warm amber, rusty red, deep brown, olive green, and blue-gray—to create a dense visual tapestry. The result feels both painterly and graphic, with the shimmering light evoking the sensation of standing inside a glowing late-afternoon forest.
The trees are rendered with vertical strokes and textured densities, giving their trunks and branches a rhythmic, almost musical presence. The foliage dissolves into an abstract canopy overhead, while the yellow underglow behind the trees suggests sunlight bursting through a clearing. Hagman’s control of tonal transitions—light filtering across bark, branches silhouetted in foreground, and soft atmospheric haze in the distance—demonstrates his refined sensibility for nature interpreted through modern printmaking.
The work is hand-signed “Hagman” in graphite at the lower right, titled “Forest I” at center, and numbered 102/300 at the lower left. Created during the 1970s, this composition aligns with Hagman’s broader exploration of landscapes rendered as emotional environments rather than literal depictions. It is a celebration of pattern, color, and the spiritual hush of natural spaces.
Jack (John) Hagman (American, 1937–2015) was a painter, printmaker, actor, and theater director whose visual and performing arts career left an enduring mark on the Midwest creative community. Born in Chicago on December 22, 1937, Hagman grew up within the city’s vibrant artistic culture, later studying art in the Chicago area and developing a deep foundation in drawing, painting, and printmaking. His artistic identity formed at the intersection of modernist experimentation and accessible, emotionally resonant landscape imagery.
Hagman began exhibiting professionally by the late 1960s, gaining recognition for his lithographs—some conceptual and geometric, others luminous interpretations of forests, valleys, and canyon landscapes. In the 1970s he became associated with Merrill Chase Galleries, which played a major role in distributing his work nationally. His prints circulated widely across the United States, placing him among notable American printmakers of the period.
His work is represented in major institutions including the Notable: Artist has three works in the Smithsonian American Art Museum and the Allen Memorial Art Museum at Oberlin College. Several of his lithographs were included in the Harvard Art Museums’ rental collection, indicating the esteem with which his work was held in academic and curatorial circles.
Hagman’s landscapes are characterized by simplified silhouettes, tonal intensities, and atmospheric layering. Rather than focusing on literal representation, he aimed to evoke the emotional experience of place—stillness, contemplation, and the subtle drama of shifting light. Works such as “Forest I,” “Green Sunlit Valley,” and “Butte I/II” demonstrate his ability to merge abstraction with nature’s inherent structure.
A versatile creative figure, Hagman was also deeply engaged in theater. He acted, directed, and designed sets for the Chicago Street Theatre in Valparaiso, Indiana, where he lived for many years. This interdisciplinary involvement enriched his visual sensibility and reinforced his reputation as a generous and dedicated artistic contributor to his community.
Jack Hagman passed away on April 3, 2015, leaving a legacy of evocative modernist landscapes and innovative lithographs that continue to attract collectors who appreciate expressive minimalism and nature-centered abstraction.
Jack Hagman (1937–2015), Forest I, c.1970s, 11×14 in. color lithograph, signed lower right, titled, numbered 102/300. Multilayered modernist woodland landscape with luminous golden light; excellent impression.
Certificate of Value & Authentication
This certificate verifies that “Forest I” is an authentic lithograph by Jack Hagman (American, 1937–2015).
Medium: Hand-pulled color lithograph
Dimensions: approx. 11 × 14 inches
Date: c. 1970s
Edition: 102/300
Signature: Hand-signed “Hagman”; titled and numbered in graphite
Authentication is based on signature examination, edition notation, printing process, paper type, and verified provenance through Mitch Morse Gallery. Suitable for valuation, insurance, and resale.
Artist: Jack Hagman (American, 1937–2015)
Original publisher/gallery distribution, U.S., c.1970s
Acquired by Mitch Morse Gallery (NYC, with additional U.S. & European sourcing)
Sold through Mitch Morse Gallery to private collectors
Current Owner: Artfind Gallery, Washington DC
