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GOD, BIRTH, DEATH – this striking etching by Anthony Michael Autorino, produced between 1960 and 1980, encapsulates the eternal cycle of existence through a meticulous lens of Impressionism. Signed and numbered 9/10, this artwork not only boasts a historical significance—having been tucked away in a retired NYC Manhattan gallery for over 50 years—but it also whispers to viewers about life's profound mysteries. Autorino, renowned for his reverent approach to the natural world, effortlessly weaves together themes of spirituality, creation, and mortality, reflecting his background in cryptography with layers of subdued meaning. Measuring 13x14 inches, the piece stands as a bridge between the past and present, showcasing a uniquely vibrant interplay of light and shadow, reminiscent of the greats who preceded him. In its soft palette and evocative imagery, this etching serves not merely as art, but as a philosophical journey across the canvas of the human experience.
GOD, BIRTH, DEATH – this striking etching by Anthony Michael Autorino, produced between 1960 and 1980, encapsulates the eternal cycle of existence through a meticulous lens of Impressionism. Signed and numbered 9/10, this artwork not only boasts a historical significance—having been tucked away in a retired NYC Manhattan gallery for over 50 years—but it also whispers to viewers about life's profound mysteries. Autorino, renowned for his reverent approach to the natural world, effortlessly weaves together themes of spirituality, creation, and mortality, reflecting his background in cryptography with layers of subdued meaning. Measuring 13x14 inches, the piece stands as a bridge between the past and present, showcasing a uniquely vibrant interplay of light and shadow, reminiscent of the greats who preceded him. In its soft palette and evocative imagery, this etching serves not merely as art, but as a philosophical journey across the canvas of the human experience.
GOD, BIRTH, DEATH – this striking etching by Anthony Michael Autorino, produced between 1960 and 1980, encapsulates the eternal cycle of existence through a meticulous lens of Impressionism. Signed and numbered 9/10, this artwork not only boasts a historical significance—having been tucked away in a retired NYC Manhattan gallery for over 50 years—but it also whispers to viewers about life's profound mysteries. Autorino, renowned for his reverent approach to the natural world, effortlessly weaves together themes of spirituality, creation, and mortality, reflecting his background in cryptography with layers of subdued meaning. Measuring 13x14 inches, the piece stands as a bridge between the past and present, showcasing a uniquely vibrant interplay of light and shadow, reminiscent of the greats who preceded him. In its soft palette and evocative imagery, this etching serves not merely as art, but as a philosophical journey across the canvas of the human experience.