A crisp 1970s–80s limited-edition Aubert serigraph depicting a stylized golf green with three golfers in flat, pop-inflected color—pencil signed and numbered 68/200, 23×29 inches. A clean, graphic print with strong mid-century/retro leisure aesthetics, ideal for modern interiors, game rooms, and collectors of vintage sport-themed prints.
This work presents a simplified, graphic scene on a golf course: three figures—one mid-swing, one reading the line, and one putting—set against a bold green fairway and a flat, blue sky. The composition is built from clean silhouettes, hard edges, and unmodulated fields of color, giving it a distinctly design-forward, poster-like presence. The palette (greens, sky blues, whites, and warm accent tones) heightens the sense of leisure and late-20th-century style—more “graphic modern” than painterly realism.
As a serigraph (silkscreen/screenprint), the image is created through successive ink layers pushed through a screen using stencils—an approach that naturally favors sharp contours and flat color zones, exactly the visual language this print exploits. The pencil signature “Aubert” at lower right and the hand-written edition number 68/200 at lower left indicate an artist-authorized limited edition rather than an open reproduction.
Story-wise, the print reads as a snapshot of the era’s optimistic recreation culture—golf as social ritual—translated into a refined, commercial-modern aesthetic that feels at home alongside Pop, mid-century graphic design, and “leisure class” visual culture of the 1970s–80s.
Golf Scene (attributed), Aubert (possibly Claude J.P. Aubert, French, active 1970s–1980s), c.1970s–80s, serigraph, 23 × 29 in., signed “Aubert,” numbered 68/200.
Aubert (possibly Claude J.P. Aubert, French, active mid- to late-20th century) is believed to have been an artist working within the European graphic and serigraph tradition during the 1970s and 1980s. While definitive biographical documentation remains limited, works bearing the single-name signature “Aubert” are known to circulate primarily as limited-edition serigraphs featuring leisure scenes, sports imagery, and stylized figurative compositions.
The artist’s visual language reflects influences from mid-century modern illustration, poster design, and the broader European screenprint movement, which emphasized clarity of form, bold color blocking, and accessible subject matter. Thematically, these works often depict moments of recreation—golf, outdoor leisure, and social activity—subjects that resonated strongly with collectors during the late 20th century.
The clean, confident pencil signature and consistent editioning suggest professional studio production, likely supported by a publisher or gallery network.
Aubert (20th c.), Untitled (Golfers), c.1970s–80s. Serigraph (screenprint) in colors on paper, 23 × 29 in. Pencil signed “Aubert” and numbered 68/200. Graphic leisure/sport scene with three golfers on the green; strong Pop/modern design aesthetic. Condition: visually clean with minor handling wear consistent with age (inspect margins and surface).
Certificate of Value & Authentication (Summary)
Artist: Aubert (first name unknown; signature matches “Aubert” as pictured)
Title: Untitled (Golfers) (attributed)
Date: c.1970s–80s (based on style and production format)
Medium: Serigraph / Screenprint (silkscreen) in colors on paper
Size: 23 × 29 inches (sheet/image as provided)
Edition: 68/200 (hand numbered)
Signature: Pencil signed “Aubert,” lower right
Provenance: Acquired via Mitch Morse Gallery; current owner Artfind Gallery, Washington DC
Remarks: Limited-edition, hand-signed and numbered print; authentication based on physical inscription/editioning visible in provided images. Final authentication can be strengthened with printer/publisher marks or supporting paperwork.
Private Publisher/Dealer: Mitch Morse Gallery (NYC; also sourced works across the U.S. and Europe)
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Current Owner: Artfind Gallery, Washington DC
A crisp 1970s–80s limited-edition Aubert serigraph depicting a stylized golf green with three golfers in flat, pop-inflected color—pencil signed and numbered 68/200, 23×29 inches. A clean, graphic print with strong mid-century/retro leisure aesthetics, ideal for modern interiors, game rooms, and collectors of vintage sport-themed prints.
This work presents a simplified, graphic scene on a golf course: three figures—one mid-swing, one reading the line, and one putting—set against a bold green fairway and a flat, blue sky. The composition is built from clean silhouettes, hard edges, and unmodulated fields of color, giving it a distinctly design-forward, poster-like presence. The palette (greens, sky blues, whites, and warm accent tones) heightens the sense of leisure and late-20th-century style—more “graphic modern” than painterly realism.
As a serigraph (silkscreen/screenprint), the image is created through successive ink layers pushed through a screen using stencils—an approach that naturally favors sharp contours and flat color zones, exactly the visual language this print exploits. The pencil signature “Aubert” at lower right and the hand-written edition number 68/200 at lower left indicate an artist-authorized limited edition rather than an open reproduction.
Story-wise, the print reads as a snapshot of the era’s optimistic recreation culture—golf as social ritual—translated into a refined, commercial-modern aesthetic that feels at home alongside Pop, mid-century graphic design, and “leisure class” visual culture of the 1970s–80s.
Golf Scene (attributed), Aubert (possibly Claude J.P. Aubert, French, active 1970s–1980s), c.1970s–80s, serigraph, 23 × 29 in., signed “Aubert,” numbered 68/200.
Aubert (possibly Claude J.P. Aubert, French, active mid- to late-20th century) is believed to have been an artist working within the European graphic and serigraph tradition during the 1970s and 1980s. While definitive biographical documentation remains limited, works bearing the single-name signature “Aubert” are known to circulate primarily as limited-edition serigraphs featuring leisure scenes, sports imagery, and stylized figurative compositions.
The artist’s visual language reflects influences from mid-century modern illustration, poster design, and the broader European screenprint movement, which emphasized clarity of form, bold color blocking, and accessible subject matter. Thematically, these works often depict moments of recreation—golf, outdoor leisure, and social activity—subjects that resonated strongly with collectors during the late 20th century.
The clean, confident pencil signature and consistent editioning suggest professional studio production, likely supported by a publisher or gallery network.
Aubert (20th c.), Untitled (Golfers), c.1970s–80s. Serigraph (screenprint) in colors on paper, 23 × 29 in. Pencil signed “Aubert” and numbered 68/200. Graphic leisure/sport scene with three golfers on the green; strong Pop/modern design aesthetic. Condition: visually clean with minor handling wear consistent with age (inspect margins and surface).
Certificate of Value & Authentication (Summary)
Artist: Aubert (first name unknown; signature matches “Aubert” as pictured)
Title: Untitled (Golfers) (attributed)
Date: c.1970s–80s (based on style and production format)
Medium: Serigraph / Screenprint (silkscreen) in colors on paper
Size: 23 × 29 inches (sheet/image as provided)
Edition: 68/200 (hand numbered)
Signature: Pencil signed “Aubert,” lower right
Provenance: Acquired via Mitch Morse Gallery; current owner Artfind Gallery, Washington DC
Remarks: Limited-edition, hand-signed and numbered print; authentication based on physical inscription/editioning visible in provided images. Final authentication can be strengthened with printer/publisher marks or supporting paperwork.
Private Publisher/Dealer: Mitch Morse Gallery (NYC; also sourced works across the U.S. and Europe)
↓
Current Owner: Artfind Gallery, Washington DC
