Long Grove by James Hagen is a refined 1980s serigraph depicting a serene woodland at dusk, where layered silhouettes of trees, mirrored water reflections, and a softly glowing moon create a contemplative and timeless natural scene.
Long Grove exemplifies James Hagen’s distinctive approach to landscape through precision serigraphy and restrained, atmospheric design. The composition presents a quiet woodland corridor opening onto reflective water, framed by leafless trees rendered in layered silhouettes. The pale moon, suspended against a warm dusk sky, acts as a focal point, anchoring the composition and enhancing the sense of stillness.
Hagen’s technique relies on multiple carefully registered silkscreen layers, building depth through overlapping tonal planes rather than linear perspective. Earthy browns, muted creams, soft grays, and pale blue-white highlights create visual rhythm while maintaining a cohesive, meditative palette. The repeated verticals of tree trunks contrast with the horizontal flow of water and land, producing a balanced, almost architectural structure.
The mirror-like reflection below doubles the scene, reinforcing themes of symmetry, silence, and introspection. The absence of figures invites viewers into a contemplative space, emphasizing nature’s quiet endurance. Signed and hand-numbered by the artist, this print reflects Hagen’s mastery of minimalist landscape imagery and his commitment to craftsmanship in fine art printmaking.
James Hagen is an American printmaker best known for his refined serigraph landscapes produced primarily during the 1970s and 1980s. His work is characterized by an elegant balance between realism and abstraction, often focusing on forests, lakes, and transitional light—dawn, dusk, or moonrise—where nature appears suspended in time.
Hagen’s artistic practice centers on silkscreen printing, a medium he employed with exceptional discipline and precision. Rather than using the process for bold graphic statements, he adapted serigraphy to achieve subtle tonal gradations, layered transparency, and atmospheric depth. His compositions often feature repeated motifs such as leafless trees, still water, and distant landforms, creating a recognizable visual language across his body of work.
During the late 20th century, Hagen’s prints were widely collected and distributed through respected galleries, including Mitch Morse Gallery, which represented and placed his work in both private and corporate collections across the United States. His limited editions were produced on high-quality archival paper and meticulously registered, reflecting a studio practice grounded in craftsmanship.
Although biographical details remain intentionally understated, Hagen’s legacy resides in the consistency and emotional restraint of his imagery. His prints continue to appeal to collectors who value quiet, contemplative landscapes rendered with technical clarity and enduring aesthetic balance.
James Hagen (American, active 1980s)
Long Grove, c.1980s
Serigraph on paper
20 × 17 inches
Signed and numbered 214/375
Condition: Excellent
Provenance: Mitch Morse Gallery; Artfind Gallery, Washington, DC
This certifies that Long Grove is an original hand-pulled serigraph by James Hagen, created in the 1980s. The work is signed and numbered 214/375, printed on archival paper, and represents an authentic example of the artist’s fine art printmaking practice. Verified through gallery provenance and consistent stylistic analysis.
Private Collection
→ Mitch Morse Gallery, New York, NY (acquired in the United States and Europe)
→ Artfind Gallery, Washington, DC (current owner)
Lon
Long Grove by James Hagen is a refined 1980s serigraph depicting a serene woodland at dusk, where layered silhouettes of trees, mirrored water reflections, and a softly glowing moon create a contemplative and timeless natural scene.
Long Grove exemplifies James Hagen’s distinctive approach to landscape through precision serigraphy and restrained, atmospheric design. The composition presents a quiet woodland corridor opening onto reflective water, framed by leafless trees rendered in layered silhouettes. The pale moon, suspended against a warm dusk sky, acts as a focal point, anchoring the composition and enhancing the sense of stillness.
Hagen’s technique relies on multiple carefully registered silkscreen layers, building depth through overlapping tonal planes rather than linear perspective. Earthy browns, muted creams, soft grays, and pale blue-white highlights create visual rhythm while maintaining a cohesive, meditative palette. The repeated verticals of tree trunks contrast with the horizontal flow of water and land, producing a balanced, almost architectural structure.
The mirror-like reflection below doubles the scene, reinforcing themes of symmetry, silence, and introspection. The absence of figures invites viewers into a contemplative space, emphasizing nature’s quiet endurance. Signed and hand-numbered by the artist, this print reflects Hagen’s mastery of minimalist landscape imagery and his commitment to craftsmanship in fine art printmaking.
James Hagen is an American printmaker best known for his refined serigraph landscapes produced primarily during the 1970s and 1980s. His work is characterized by an elegant balance between realism and abstraction, often focusing on forests, lakes, and transitional light—dawn, dusk, or moonrise—where nature appears suspended in time.
Hagen’s artistic practice centers on silkscreen printing, a medium he employed with exceptional discipline and precision. Rather than using the process for bold graphic statements, he adapted serigraphy to achieve subtle tonal gradations, layered transparency, and atmospheric depth. His compositions often feature repeated motifs such as leafless trees, still water, and distant landforms, creating a recognizable visual language across his body of work.
During the late 20th century, Hagen’s prints were widely collected and distributed through respected galleries, including Mitch Morse Gallery, which represented and placed his work in both private and corporate collections across the United States. His limited editions were produced on high-quality archival paper and meticulously registered, reflecting a studio practice grounded in craftsmanship.
Although biographical details remain intentionally understated, Hagen’s legacy resides in the consistency and emotional restraint of his imagery. His prints continue to appeal to collectors who value quiet, contemplative landscapes rendered with technical clarity and enduring aesthetic balance.
James Hagen (American, active 1980s)
Long Grove, c.1980s
Serigraph on paper
20 × 17 inches
Signed and numbered 214/375
Condition: Excellent
Provenance: Mitch Morse Gallery; Artfind Gallery, Washington, DC
This certifies that Long Grove is an original hand-pulled serigraph by James Hagen, created in the 1980s. The work is signed and numbered 214/375, printed on archival paper, and represents an authentic example of the artist’s fine art printmaking practice. Verified through gallery provenance and consistent stylistic analysis.
Private Collection
→ Mitch Morse Gallery, New York, NY (acquired in the United States and Europe)
→ Artfind Gallery, Washington, DC (current owner)
Lon
