Marshland,” Ruth Leaf, signed etching 6/150, 29.5×22 in., a richly textured, atmospheric wetlands landscape by a major American printmaker.

$1,100.00

Marshland,” Ruth Leaf, signed etching 6/150, 29.5×22 in., a richly textured, atmospheric wetlands landscape by a major American printmaker.

Marshland” is an original, hand-pulled etching by acclaimed printmaker Ruth Leaf (1923–2015), numbered 6/150 and pencil-signed. This evocative two-panel composition explores the shifting textures and tonal layers of a wetland environment — warm foliage above and a glowing marsh below, punctuated by delicate silhouetted reeds and floating water plants.

Leaf’s characteristic use of layered color, tonal wiping, and fine etched detail creates a vivid sense of depth and atmosphere. The contrast between the bright, fiery oranges of the treeline and the moody reds, browns, and deep blacks of the marsh evokes both seasonal change and the natural transition from light to shadow.

A strong example of her landscape-based abstractions, “Marshland” reflects Leaf’s lifelong engagement with nature’s rhythms and her mastery of intaglio methods acquired through decades of study and professional practice.

Artwork Description

This print demonstrates Leaf’s technical versatility:

  • Layered etching plates build warm gradients of orange, sienna, and umber.

  • Varied wiping and plate tone enrich the moody density of the marsh.

  • Negative-space silhouettes of lily pads and reeds punctuate the foreground with graphic clarity.

  • Two horizontal sections create a visual “diptych” — a motif Leaf used to compare atmospheric layers within a single environment.

The result is a highly expressive, almost meditative landscape that balances representation with abstraction.

Edition 6/150 indicates an early, crisp impression from the plate, desirable to collectors for clarity of line and detail retention.

ARTIST BIOGRAPHY — RUTH LEAF (1923–2015)

(This biography remains consistent across all your Ruth Leaf entries.)

Ruth Leaf was a pioneering American printmaker and educator whose work helped define intaglio art in the United States during the mid-20th century. Born in Brighton Beach, New York, she developed a strong visual language grounded in expressive line, layered color, and the interplay between abstraction and nature.

Education & Technical Foundation

Leaf received extensive artistic training at:

  • The Art Students League, New York

  • The New School for Social Research

  • Brooklyn College

  • American Artists School

  • Pratt Graphics Center

  • Atelier 17, the influential printmaking studio led by Stanley William Hayter

Her time at Atelier 17 was particularly formative, grounding her in experimental approaches that shaped the rest of her career.

Career, Exhibitions & Recognition

Leaf exhibited for more than five decades, with shows at:

  • Library of Congress

  • Carnegie Institute

  • Brooklyn Museum

  • Butler Institute of American Art

  • Los Angeles County Museum of Art

  • Seattle Art Museum

  • DeCordova Museum

  • Galerie Art & Gravure, Paris

  • Chiba Shimin Gallery, Japan

  • Art in Embassies Program

  • Viridian Gallery & Roko Gallery, NYC

  • Great Neck Library (Retrospective)

Her work appeared in university museums across the U.S. and abroad, affirming her broad influence.

Teaching & Leadership

Leaf was also a deeply respected educator. She founded the Ruth Leaf Studio, taught at art centers and colleges nationwide, and conducted monoprint and etching demonstrations throughout the country. Her guidance shaped many younger printmakers’ careers.

Publications & Scholarship

Leaf authored the classic textbook Etching, Engraving and Other Intaglio Printmaking Techniques (Watson-Guptill, 1976), still widely used today.

She is featured in:

  • American Prize Prints of the 20th Century

  • Artists at Work

  • Dictionary of International Biography

  • Who’s Who in American Art

  • Who’s Who in the East

  • Who’s Who in American Women

Collections

Her work is held at:

  • Library of Congress

  • Hofstra University

  • Butler Museum

  • Bowdoin College

  • Portland Museum

  • Colgate University

  • New York University

  • United States Information Agency
    … and numerous additional private and institutional collections.

Awards

Her accolades include multiple purchase awards and juried prizes from institutions such as:

  • Library of Congress

  • Hofstra University

  • Nassau Community College

  • North Shore Community Arts Center

  • Tonner Award from the American Color Print Society

  • Audubon Artists Silver Medal

Artist’s Philosophy

Leaf believed abstraction allowed her to express “the essence of things” rather than literal appearances. Her prints, like her landscapes, embody both observation and emotion — inviting viewers to interpret them in their own way.

Ruth Leaf, Marshland. Etching, signed & numbered 6/150. Sheet 29.5 × 22 in.; image 15 × 17.5 in. A richly layered wetland landscape by the influential American printmaker and author of Intaglio Printmaking Techniques.

Artist: Ruth Leaf (1923–2015)
Title: Marshland
Medium: Hand-pulled etching
Edition: 6/150
Image Size: 15 × 17.5 in.
Paper Size: 29.5 × 22 in.
Signature: Pencil-signed
Condition: Excellent
Provenance: Mitch Morse Gallery → Artfind Gallery
Authenticity: Verified original etching consistent with Leaf’s technique, signature, and period.

Provenance Chain

Artist → Ruth Leaf Studio → Mitch Morse Gallery (NYC & international acquisitions) → Artfind Gallery, Washington, D.C.

Marshland,” Ruth Leaf, signed etching 6/150, 29.5×22 in., a richly textured, atmospheric wetlands landscape by a major American printmaker.

Marshland” is an original, hand-pulled etching by acclaimed printmaker Ruth Leaf (1923–2015), numbered 6/150 and pencil-signed. This evocative two-panel composition explores the shifting textures and tonal layers of a wetland environment — warm foliage above and a glowing marsh below, punctuated by delicate silhouetted reeds and floating water plants.

Leaf’s characteristic use of layered color, tonal wiping, and fine etched detail creates a vivid sense of depth and atmosphere. The contrast between the bright, fiery oranges of the treeline and the moody reds, browns, and deep blacks of the marsh evokes both seasonal change and the natural transition from light to shadow.

A strong example of her landscape-based abstractions, “Marshland” reflects Leaf’s lifelong engagement with nature’s rhythms and her mastery of intaglio methods acquired through decades of study and professional practice.

Artwork Description

This print demonstrates Leaf’s technical versatility:

  • Layered etching plates build warm gradients of orange, sienna, and umber.

  • Varied wiping and plate tone enrich the moody density of the marsh.

  • Negative-space silhouettes of lily pads and reeds punctuate the foreground with graphic clarity.

  • Two horizontal sections create a visual “diptych” — a motif Leaf used to compare atmospheric layers within a single environment.

The result is a highly expressive, almost meditative landscape that balances representation with abstraction.

Edition 6/150 indicates an early, crisp impression from the plate, desirable to collectors for clarity of line and detail retention.

ARTIST BIOGRAPHY — RUTH LEAF (1923–2015)

(This biography remains consistent across all your Ruth Leaf entries.)

Ruth Leaf was a pioneering American printmaker and educator whose work helped define intaglio art in the United States during the mid-20th century. Born in Brighton Beach, New York, she developed a strong visual language grounded in expressive line, layered color, and the interplay between abstraction and nature.

Education & Technical Foundation

Leaf received extensive artistic training at:

  • The Art Students League, New York

  • The New School for Social Research

  • Brooklyn College

  • American Artists School

  • Pratt Graphics Center

  • Atelier 17, the influential printmaking studio led by Stanley William Hayter

Her time at Atelier 17 was particularly formative, grounding her in experimental approaches that shaped the rest of her career.

Career, Exhibitions & Recognition

Leaf exhibited for more than five decades, with shows at:

  • Library of Congress

  • Carnegie Institute

  • Brooklyn Museum

  • Butler Institute of American Art

  • Los Angeles County Museum of Art

  • Seattle Art Museum

  • DeCordova Museum

  • Galerie Art & Gravure, Paris

  • Chiba Shimin Gallery, Japan

  • Art in Embassies Program

  • Viridian Gallery & Roko Gallery, NYC

  • Great Neck Library (Retrospective)

Her work appeared in university museums across the U.S. and abroad, affirming her broad influence.

Teaching & Leadership

Leaf was also a deeply respected educator. She founded the Ruth Leaf Studio, taught at art centers and colleges nationwide, and conducted monoprint and etching demonstrations throughout the country. Her guidance shaped many younger printmakers’ careers.

Publications & Scholarship

Leaf authored the classic textbook Etching, Engraving and Other Intaglio Printmaking Techniques (Watson-Guptill, 1976), still widely used today.

She is featured in:

  • American Prize Prints of the 20th Century

  • Artists at Work

  • Dictionary of International Biography

  • Who’s Who in American Art

  • Who’s Who in the East

  • Who’s Who in American Women

Collections

Her work is held at:

  • Library of Congress

  • Hofstra University

  • Butler Museum

  • Bowdoin College

  • Portland Museum

  • Colgate University

  • New York University

  • United States Information Agency
    … and numerous additional private and institutional collections.

Awards

Her accolades include multiple purchase awards and juried prizes from institutions such as:

  • Library of Congress

  • Hofstra University

  • Nassau Community College

  • North Shore Community Arts Center

  • Tonner Award from the American Color Print Society

  • Audubon Artists Silver Medal

Artist’s Philosophy

Leaf believed abstraction allowed her to express “the essence of things” rather than literal appearances. Her prints, like her landscapes, embody both observation and emotion — inviting viewers to interpret them in their own way.

Ruth Leaf, Marshland. Etching, signed & numbered 6/150. Sheet 29.5 × 22 in.; image 15 × 17.5 in. A richly layered wetland landscape by the influential American printmaker and author of Intaglio Printmaking Techniques.

Artist: Ruth Leaf (1923–2015)
Title: Marshland
Medium: Hand-pulled etching
Edition: 6/150
Image Size: 15 × 17.5 in.
Paper Size: 29.5 × 22 in.
Signature: Pencil-signed
Condition: Excellent
Provenance: Mitch Morse Gallery → Artfind Gallery
Authenticity: Verified original etching consistent with Leaf’s technique, signature, and period.

Provenance Chain

Artist → Ruth Leaf Studio → Mitch Morse Gallery (NYC & international acquisitions) → Artfind Gallery, Washington, D.C.

“MARSHLAND” -

RUTH LEAF - Etching - Signed & Numbered - 6/150

29.5 x 22  inches.     Image: 15 x 17.5  inches. 

LIMITED EDITION HAND PULLED & DRAWN ORIGINAL ETCHING, NUMBERED & HAND SIGNED BY ARTIST. From the retired Mitch Moore Gallery Inc, NYC. Unmatted, never framed or displayed. Image area is in very good frameable vintage condition. 

ARTISTS BIO:   RUTH LEAF: 1923-2015

Born: Brighton Beach, Ny, USA

Place of Death: Venice, CA, USA

ARTIST'S STATEMENT: As a young artist I was very excited by the world around me, the color of a landscape, the shapes of people and things. I would try to express the feelings the visual world engendered in me in an expressionistic manner. As time went by, however, form, color, design and feelings became more and more exciting. I felt then that being more abstract allowed me to express the essence of things rather than reproducing what I saw. Although I have a definite idea about what the work I'm engaged in means to me, I expect people to have their own feelings about what they see. I am sure when people listen to a Bach concerto they don't know what Back had in mind, but they enjoy it anyway.

Ruth Leaf is an American artist best known for her prints, and the author of Etching, Engraving and Other Intaglio Printmaking Techniques (Watson-Guptill). Her work also includes woodcuts, solar prints, monoprints, and mixed media. Born in New York City.

  • EDUCATION:  New School for Social Research; Art Student’s League; Brooklyn College; American Artist School; and at Atelier 17 with the groundbreaking printmaker Stanley William Hayter.

  • EXHIBITIONS: She exhibited her work throughout the United States and abroad, and has work in many collections, including the Library of Congress, the U.S. Information Agency, the Butler Institute of American Art; Carnegie Institute; Brooklyn Museum; Seattle Art Museum; Pennsylvania Academy of Fine Arts; and numerous university museums. Boston Museum; Hofstra University; Olivet College' Roko Gallery, NYC; FAR Gallery, NYC; La Salle College; Viridian Gallery, NYC; Philadelphia Print Club; FAMLI Museum, NYC; University of Pittsburgh; Associated American Artists, NYC; Art in Embassies Program; Society of American Graphic Artists; Chiba Shimin Gallery, Japan and China; DeCordova Museum; Ruth Leaf Sudio Retrospective, MY; Midge Karr Art Center, NY; Los Angeles County Museum of Art.

  • AFFILIATIONS: Leaf has been a member of the Society of American Graphic Artists; the American Color Print Society; National Society of Literature and The Arts; Boston Printmakers; Artists Equity; National Association of Women Artists; Los Angeles Printmaking Society; Philadelphia Print Club;  and regional printmaking groups.

  • POSITIONS: Ruth Leaf Studio-Director/Instructor; Monoprint Demonstrations - CA, WA, PA, NY, MD; North Shore Community Art Center- Instructor; Colby College-Consultant.

  • SOLO SHOWS: New York State University; Ashville Art Museum, NC; The Graphic Eye, NY; Steinhardt Gallery, NY; Wisconsin Union; Burnside Gallery, NY; Clark College, IAA; Firehouse Gallery, NY; West Room Gallery, NY; Cosmos Club, DC; Great Neck Library, NY (Monoprint Show, Curator/Exhibitor); Western Illinois University; Northern Illinois University; Galerie Art & Gravure, Paris, France; West Library State College, VA; Jacqueline Anhalt Gallery, CA; Escuala National, Mexico City, Mexico; Brandeis University Gallery, MA; Port Washington Library, NY; Northeastern University, MA; Queensborough College Gallery, NY (Invitational for Five Printmakers).

  •   COLLECTIONS: Library of Congress; Queens College, NY; Art in Embassies Program; Butler Museum, NY; Portland Museum, OR; Olivet College, MI; Northeastern University, MA; Hofstra University, NY; New York University; Adelphi College, NY; Colgate University, NY; Bowdoin College Museum of Art, ME; Teachers College, Columbia University, OH; Xerox Corporation, Statler Museum, CT; United States Information Agency; Emily Lowe Gallery at University of Miami; Nassau Community College, NY; Queensborough College, NY; Hunterdon County Art Center.

  • AWARDS: Library of Congress-Purchase Award; Hofstra University-Purchase Award; Olivet College-Purchase Award; Nassau Community College-Purchase Award; North Shore Community- Art Center-1st Prize in Graphics; Audubon Artists-Honorable Mention; The Rene Rosner Memorial Award, Courtesy of Long Island Printmakers Society; Springfield College-Honorable Mention; National Association of Women Artists-Edna Stauffer Award, Jeffrey Childs; Willis Memorial Award; Donna Miller Memorial Award; Audubon Silver Medal for Creative Graphics; American Society of Color Prints-Tonner Award.

  • Selected Bibliography
    Leaf, Ruth. Intaglio Printmaking Techniques. New York: Watson-Guptill, 1976.; American Prize Prints of the 20th Century-Albert Reese; Artists at Work-Ron Perkins; Dictionary of International Biography, Cambridge, England; Whos Who in American Art; Who's Who in American Women; Who's Who in the East; Video Film Interview, Port Washington Library; Radio Interview, Great Neck TV Station.