Paris, Colonne de Juillet — Isidore Laurent Deroy (1797–1886), c.1848–1855, hand-colored lithograph, France en Miniature.

$2,300.00

Paris, Colonne de Juillet — Isidore Laurent Deroy (1797–1886), c.1848–1855, hand-colored lithograph, France en Miniature.

Original 19th-century French hand-colored lithograph by Isidore Laurent Deroy depicting the Colonne de Juillet at the Place de la Bastille, Paris. From the France en Miniature series, drawn and lithographed from nature, published by E. Morier and printed by Lemercier & Cie. A historically significant Paris city view from the Second Empire period.

Artwork Description

This animated city view presents the Colonne de Juillet, erected between 1835 and 1840 to commemorate the July Revolution of 1830 and honor those who died for constitutional liberty. Rising at the heart of the Place de la Bastille, the monumental column is crowned by the gilded Génie de la Liberté, a potent symbol of civic memory and republican ideals.

Deroy’s composition places the column centrally, anchoring a broad urban stage framed by Haussmann-era façades, tree-lined boulevards, and open civic space. The square is enlivened by horse-drawn omnibuses, private carriages, vendors, and pedestrians, reflecting mid-19th-century Parisian life and the tradition of public promenading. Deroy’s elevated vantage point allows both architectural clarity and narrative movement.

The sheet is inscribed “Dess. et lith. d’après nature par Deroy,” confirming that the artist both drew and lithographed the image directly from observation. Fine lithographic linework provides crisp architectural definition, while period hand-applied watercolor introduces restrained greens, warm stone tones, and atmospheric sky hues. The balance between precision and color gives the work both documentary authority and decorative appeal.

As part of the France en Miniature series, this lithograph functions as a collectible work of art and a historical document, preserving the appearance of Paris during a period of political remembrance and urban transformation under the July Monarchy and early Second Empire.

Artist Biography

Isidore Laurent Deroy (Paris, 1797–1886) was a French painter, draftsman, and prolific lithographer renowned for his architectural and topographical views. Born in Paris, Deroy studied under Louis-François Cassas, whose emphasis on archaeological accuracy and classical proportion deeply influenced his work.

Deroy exhibited regularly at the Paris Salon from 1822 to 1866, gaining recognition for his ability to render monumental architecture with exacting fidelity while animating civic spaces with everyday life. Working primarily in Paris, he collaborated with leading publishers and printers to document France during a period of immense political, social, and urban change.

His work is characterized by precise perspective, balanced composition, and atmospheric sensitivity that bridges documentation and artistry. Deroy’s lithographs are held in major institutional collections, including the Metropolitan Museum of Art and the Smithsonian Institution. His sons, Émile Deroy and Auguste-Victor Deroy, continued the family’s artistic legacy.

LEMERCIER & CIE (Printer, Paris)

Lemercier & Cie, founded by Rose-Joseph Lemercier, became one of Europe’s greatest lithographic establishments during the 19th century. The studio pioneered advancements in chromolithography, architectural plate printing, and high-precision transfer techniques, producing prints of exceptional clarity and consistency.

Working with leading artists, government agencies, and major publishers, Lemercier produced some of the finest illustrated books and engraved views of the century. Their imprint is widely regarded as a hallmark of technical excellence and confirms this work as a period, museum-quality lithograph, not a later decorative reproduction.

Imprint on this sheet appears as:“Imp. Lemercier, Paris” (also documented variants: Lemercier & Cie, rue de Seine).

E. MORIER (Publisher, Paris)

Operating from 5 rue du Pont de Lodi, Paris, E. Morier specialized in illustrated travel plates, architectural engravings, and cultural imagery aimed at the educated middle-class market for decorative and instructional prints.

Morier’s collaboration with Deroy and Lemercier resulted in exquisitely crafted plates—particularly within the France en Miniature series—that remain highly sought after by collectors of French topographical and architectural art.

Isidore Laurent Deroy (1797–1886), Paris, Colonne de Juillet, c.1848–1855. Hand-colored lithograph from the France en Miniature series. Drawn and lithographed from nature; published by E. Morier; printed by Lemercier & Cie, Paris.

Certificate of Value & Authentication

This certifies that Paris, Colonne de Juillet is an authentic 19th-century hand-colored lithograph by Isidore Laurent Deroy (1797–1886). The work bears period inscriptions confirming authorship, publisher (E. Morier), and printer (Lemercier & Cie). Based on stylistic, technical, and historical evaluation, the artwork is verified as original and authentic.

Provenance Chain

(Collector Format)

  • Mitch Morse Gallery, New York (acquired in NYC and Europe)

  • Private Collection

  • Current Owner: Artfind Gallery, Washington, DC

Paris, Colonne de Juillet — Isidore Laurent Deroy (1797–1886), c.1848–1855, hand-colored lithograph, France en Miniature.

Original 19th-century French hand-colored lithograph by Isidore Laurent Deroy depicting the Colonne de Juillet at the Place de la Bastille, Paris. From the France en Miniature series, drawn and lithographed from nature, published by E. Morier and printed by Lemercier & Cie. A historically significant Paris city view from the Second Empire period.

Artwork Description

This animated city view presents the Colonne de Juillet, erected between 1835 and 1840 to commemorate the July Revolution of 1830 and honor those who died for constitutional liberty. Rising at the heart of the Place de la Bastille, the monumental column is crowned by the gilded Génie de la Liberté, a potent symbol of civic memory and republican ideals.

Deroy’s composition places the column centrally, anchoring a broad urban stage framed by Haussmann-era façades, tree-lined boulevards, and open civic space. The square is enlivened by horse-drawn omnibuses, private carriages, vendors, and pedestrians, reflecting mid-19th-century Parisian life and the tradition of public promenading. Deroy’s elevated vantage point allows both architectural clarity and narrative movement.

The sheet is inscribed “Dess. et lith. d’après nature par Deroy,” confirming that the artist both drew and lithographed the image directly from observation. Fine lithographic linework provides crisp architectural definition, while period hand-applied watercolor introduces restrained greens, warm stone tones, and atmospheric sky hues. The balance between precision and color gives the work both documentary authority and decorative appeal.

As part of the France en Miniature series, this lithograph functions as a collectible work of art and a historical document, preserving the appearance of Paris during a period of political remembrance and urban transformation under the July Monarchy and early Second Empire.

Artist Biography

Isidore Laurent Deroy (Paris, 1797–1886) was a French painter, draftsman, and prolific lithographer renowned for his architectural and topographical views. Born in Paris, Deroy studied under Louis-François Cassas, whose emphasis on archaeological accuracy and classical proportion deeply influenced his work.

Deroy exhibited regularly at the Paris Salon from 1822 to 1866, gaining recognition for his ability to render monumental architecture with exacting fidelity while animating civic spaces with everyday life. Working primarily in Paris, he collaborated with leading publishers and printers to document France during a period of immense political, social, and urban change.

His work is characterized by precise perspective, balanced composition, and atmospheric sensitivity that bridges documentation and artistry. Deroy’s lithographs are held in major institutional collections, including the Metropolitan Museum of Art and the Smithsonian Institution. His sons, Émile Deroy and Auguste-Victor Deroy, continued the family’s artistic legacy.

LEMERCIER & CIE (Printer, Paris)

Lemercier & Cie, founded by Rose-Joseph Lemercier, became one of Europe’s greatest lithographic establishments during the 19th century. The studio pioneered advancements in chromolithography, architectural plate printing, and high-precision transfer techniques, producing prints of exceptional clarity and consistency.

Working with leading artists, government agencies, and major publishers, Lemercier produced some of the finest illustrated books and engraved views of the century. Their imprint is widely regarded as a hallmark of technical excellence and confirms this work as a period, museum-quality lithograph, not a later decorative reproduction.

Imprint on this sheet appears as:“Imp. Lemercier, Paris” (also documented variants: Lemercier & Cie, rue de Seine).

E. MORIER (Publisher, Paris)

Operating from 5 rue du Pont de Lodi, Paris, E. Morier specialized in illustrated travel plates, architectural engravings, and cultural imagery aimed at the educated middle-class market for decorative and instructional prints.

Morier’s collaboration with Deroy and Lemercier resulted in exquisitely crafted plates—particularly within the France en Miniature series—that remain highly sought after by collectors of French topographical and architectural art.

Isidore Laurent Deroy (1797–1886), Paris, Colonne de Juillet, c.1848–1855. Hand-colored lithograph from the France en Miniature series. Drawn and lithographed from nature; published by E. Morier; printed by Lemercier & Cie, Paris.

Certificate of Value & Authentication

This certifies that Paris, Colonne de Juillet is an authentic 19th-century hand-colored lithograph by Isidore Laurent Deroy (1797–1886). The work bears period inscriptions confirming authorship, publisher (E. Morier), and printer (Lemercier & Cie). Based on stylistic, technical, and historical evaluation, the artwork is verified as original and authentic.

Provenance Chain

(Collector Format)

  • Mitch Morse Gallery, New York (acquired in NYC and Europe)

  • Private Collection

  • Current Owner: Artfind Gallery, Washington, DC

bout This Print & Printing Method

This work is an original 19th-century French hand-colored lithograph, created using traditional stone lithography and finished with hand-applied watercolor. Unlike later photomechanical reproductions, each impression was drawn directly on stone by the artist and printed by a master printer, resulting in subtle tonal variation and individual character from print to print.

The image was drawn and lithographed from nature by Isidore Laurent Deroy, one of France’s most respected architectural and topographical artists. After printing, the image was carefully hand colored, a labor-intensive process that enhances depth, atmosphere, and visual warmth while preserving architectural precision.

Why This Type of Lithograph Is Important

This lithograph represents the highest level of 19th-century French topographical printmaking, combining:

  • Direct artist involvement in both drawing and lithography

  • Printing by a premier Parisian studio

  • Hand coloring applied by skilled colorists

  • Exacting architectural accuracy paired with animated civic life

These works were produced in limited historical runs, not modern editions, and were intended for educated collectors, travelers, and institutions documenting France’s urban and cultural landscape during a period of dramatic transformation.

Printer & Publisher Quality

This print was produced by Lemercier & Cie, Paris, one of Europe’s most important lithographic studios of the 19th century. Lemercier pioneered advancements in architectural plate printing and high-precision lithographic transfer, setting the standard for technical excellence. Their imprint is widely regarded as a hallmark of museum-quality production.

The publisher, E. Morier of Paris, specialized in illustrated architectural and cultural views for the refined collector market. Morier’s collaborations with Deroy and Lemercier resulted in some of the most sought-after French topographical prints of the era.

Historical & Collectible Significance

Many of the locations depicted in these works have been altered or destroyed, most notably during the Franco-Prussian War and later urban redevelopment. As a result, these lithographs are not only visually compelling but historically irreplaceable, preserving views of France that no longer exist.

Collectors value these works for their:

  • Authentic 19th-century origin

  • Artistic and documentary importance

  • Museum-recognized artists and printers

  • Decorative elegance suitable for both classical and contemporary interiors

What Buyers Should Know

  • This is not a modern reproduction

  • Each example shows natural age characteristics consistent with 19th-century paper

  • Hand coloring varies slightly, making every print unique

  • Condition reflects careful preservation over more than a century