“Untitled (Dock & Boat),” Moshe Gat (1935–2022), 1964 hand-drawn lithograph, 14×19 in., pencil-signed & numbered 45/150, expressive Israeli modernism.

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“Untitled (Dock & Boat),” Moshe Gat (1935–2022), 1964 hand-drawn lithograph, 14×19 in., pencil-signed & numbered 45/150, expressive Israeli modernism.

A rare 1964 hand-drawn lithograph by renowned Israeli artist Moshe Gat, this expressive black-and-white work captures his signature blend of realism, calligraphic gesture, and humanistic storytelling. Signed and numbered 45/150, the piece exemplifies Gat’s highly sought-after early period, shaped by his time in Mexico, Paris, and Italy, and richly informed by the social, cultural, and figurative traditions that defined his celebrated career.

ARTWORK DESCRIPTION

This striking mid-century lithograph—created in 1964 during one of Moshe Gat’s most fertile artistic periods—shows a quiet dock and a solitary moored boat rendered with his unmistakable gestural intensity. The composition is built through sweeping black washes, fragmentary calligraphic marks, and subtly layered tonal contrasts that evoke both movement and stillness. Gat’s ability to extract emotional depth from ordinary scenes is fully present here: the worn planks of the dock, the shadowed form in the boat, and the drifting reflections on the water suggest solitude, resilience, and human presence without directly depicting the figure.

Executed as a hand-drawn lithograph, the work displays the hallmarks of Gat’s mastery of the medium—a medium he used to bridge Israeli realism, European expressionism, and the graphic power he absorbed from Mexican printmaking collectives. The 1964 date places this piece squarely in the era when Gat synthesized his international influences into a unified, poetic visual language. The signature in graphite and edition number 45/150 confirm its authenticity and rarity.

ARTIST BIOGRAPHY

Moshe Gat (1935–2022) emerged as one of Israel’s most distinctive printmakers and figurative modernists. Born in Haifa, he was educated at the Bezalel Academy of Art and Design, where he received intensive training in drawing, composition, and classical printmaking techniques. Even early in life, his interest in portraying everyday people and working-class environments set him apart.

Gat’s artistic maturity crystallized through extensive travels abroad. A pivotal chapter unfolded in Mexico, where he encountered the influence of the Mexican Muralists and the socially engaged printmaking culture of the Taller de Gráfica Popular. Their bold graphic sensibility and humanistic focus deeply informed his future work. Later experiences in Paris and Italy exposed him to postwar realism, European expressionism, and modernist experimentation—all of which enriched his already formidable technical skills.

By the 1960s, Gat developed a personal visual language grounded in gestural linework, emotional realism, and atmospheric lithographic textures. He became known for images of fishermen, musicians, dockworkers, families, and ordinary street scenes—treated with dignity, introspection, and understated empathy. His mastery of lithography placed him among Israel’s foremost graphic artists, with works entering important museum and academic collections.

Over decades, Gat’s art retained a consistent humanistic core while evolving in scale, technique, and thematic subtlety. He exhibited widely, taught in influential programs, and became a formative presence in Israeli figurative and expressionist art. Today, his mid-century works—especially lithographs from the 1950s–1970s—are increasingly recognized for their cultural significance and their sophisticated blend of international influences.

Moshe Gat (1935–2022), Untitled (Dock & Boat), 1964, hand-drawn lithograph, 14×19 in., pencil-signed and numbered 45/150. A rare early work exemplifying Gat’s expressive draftsmanship and internationally influenced Israeli modernism. Excellent vintage condition. Provenance: Mitch Morse Gallery; Artfind Gallery, Washington, DC.

CERTIFICATE OF VALUE & AUTHENTICATION

Artwork: Untitled (Dock & Boat)
Artist: Moshe Gat (1935–2022)
Date: 1964
Medium: Hand-drawn lithograph
Dimensions: 14×19 in.
Edition: Signed & numbered 45/150
Authenticity: Verified by signature, edition notation, period paper, and stylistic markers consistent with Gat’s 1960s lithographs.
Provenance:
– Acquired by Mitch Morse Gallery, NYC
– Acquired directly by Artfind Gallery, Washington, DC
Current Market Value: See gallery & auction ranges below

This work is a guaranteed authentic Moshe Gat original print from a limited edition, created under the artist’s direct supervision and consistent with his mid-century printmaking practice.

PROVENANCE CHAIN (COLLECTOR FORMAT)

  1. Artist: Moshe Gat

  2. Publisher / Dealer: Mitch Morse Gallery, New York City

  3. Private Collection / Dealer: Artfind Gallery, Washington, DC (current owner)

META BUSINESS SUITE LISTING

Moshe Gat (1935–2022), “Untitled (Dock & Boat),” 1964 hand-drawn lithograph, signed & numbered 45/150. A rare early print from one of Israel’s most expressive figurative modernists—combining realism, gesture, and human emotion with masterful lithographic technique. Available exclusively through Artfind Gallery.
#artfindgallery #moshegat #israeliart #modernistprints #lithograph #fineartprints #midcenturymodernart #postwarart

“Untitled (Dock & Boat),” Moshe Gat (1935–2022), 1964 hand-drawn lithograph, 14×19 in., pencil-signed & numbered 45/150, expressive Israeli modernism.

A rare 1964 hand-drawn lithograph by renowned Israeli artist Moshe Gat, this expressive black-and-white work captures his signature blend of realism, calligraphic gesture, and humanistic storytelling. Signed and numbered 45/150, the piece exemplifies Gat’s highly sought-after early period, shaped by his time in Mexico, Paris, and Italy, and richly informed by the social, cultural, and figurative traditions that defined his celebrated career.

ARTWORK DESCRIPTION

This striking mid-century lithograph—created in 1964 during one of Moshe Gat’s most fertile artistic periods—shows a quiet dock and a solitary moored boat rendered with his unmistakable gestural intensity. The composition is built through sweeping black washes, fragmentary calligraphic marks, and subtly layered tonal contrasts that evoke both movement and stillness. Gat’s ability to extract emotional depth from ordinary scenes is fully present here: the worn planks of the dock, the shadowed form in the boat, and the drifting reflections on the water suggest solitude, resilience, and human presence without directly depicting the figure.

Executed as a hand-drawn lithograph, the work displays the hallmarks of Gat’s mastery of the medium—a medium he used to bridge Israeli realism, European expressionism, and the graphic power he absorbed from Mexican printmaking collectives. The 1964 date places this piece squarely in the era when Gat synthesized his international influences into a unified, poetic visual language. The signature in graphite and edition number 45/150 confirm its authenticity and rarity.

ARTIST BIOGRAPHY

Moshe Gat (1935–2022) emerged as one of Israel’s most distinctive printmakers and figurative modernists. Born in Haifa, he was educated at the Bezalel Academy of Art and Design, where he received intensive training in drawing, composition, and classical printmaking techniques. Even early in life, his interest in portraying everyday people and working-class environments set him apart.

Gat’s artistic maturity crystallized through extensive travels abroad. A pivotal chapter unfolded in Mexico, where he encountered the influence of the Mexican Muralists and the socially engaged printmaking culture of the Taller de Gráfica Popular. Their bold graphic sensibility and humanistic focus deeply informed his future work. Later experiences in Paris and Italy exposed him to postwar realism, European expressionism, and modernist experimentation—all of which enriched his already formidable technical skills.

By the 1960s, Gat developed a personal visual language grounded in gestural linework, emotional realism, and atmospheric lithographic textures. He became known for images of fishermen, musicians, dockworkers, families, and ordinary street scenes—treated with dignity, introspection, and understated empathy. His mastery of lithography placed him among Israel’s foremost graphic artists, with works entering important museum and academic collections.

Over decades, Gat’s art retained a consistent humanistic core while evolving in scale, technique, and thematic subtlety. He exhibited widely, taught in influential programs, and became a formative presence in Israeli figurative and expressionist art. Today, his mid-century works—especially lithographs from the 1950s–1970s—are increasingly recognized for their cultural significance and their sophisticated blend of international influences.

Moshe Gat (1935–2022), Untitled (Dock & Boat), 1964, hand-drawn lithograph, 14×19 in., pencil-signed and numbered 45/150. A rare early work exemplifying Gat’s expressive draftsmanship and internationally influenced Israeli modernism. Excellent vintage condition. Provenance: Mitch Morse Gallery; Artfind Gallery, Washington, DC.

CERTIFICATE OF VALUE & AUTHENTICATION

Artwork: Untitled (Dock & Boat)
Artist: Moshe Gat (1935–2022)
Date: 1964
Medium: Hand-drawn lithograph
Dimensions: 14×19 in.
Edition: Signed & numbered 45/150
Authenticity: Verified by signature, edition notation, period paper, and stylistic markers consistent with Gat’s 1960s lithographs.
Provenance:
– Acquired by Mitch Morse Gallery, NYC
– Acquired directly by Artfind Gallery, Washington, DC
Current Market Value: See gallery & auction ranges below

This work is a guaranteed authentic Moshe Gat original print from a limited edition, created under the artist’s direct supervision and consistent with his mid-century printmaking practice.

PROVENANCE CHAIN (COLLECTOR FORMAT)

  1. Artist: Moshe Gat

  2. Publisher / Dealer: Mitch Morse Gallery, New York City

  3. Private Collection / Dealer: Artfind Gallery, Washington, DC (current owner)

META BUSINESS SUITE LISTING

Moshe Gat (1935–2022), “Untitled (Dock & Boat),” 1964 hand-drawn lithograph, signed & numbered 45/150. A rare early print from one of Israel’s most expressive figurative modernists—combining realism, gesture, and human emotion with masterful lithographic technique. Available exclusively through Artfind Gallery.
#artfindgallery #moshegat #israeliart #modernistprints #lithograph #fineartprints #midcenturymodernart #postwarart

Moshe Gat (1935–2022)

Israeli Painter • Printmaker • Traveler • Humanist Storyteller

Moshe Gat stands today as one of the most quietly influential yet under-recognized masters of 20th-century Israeli art. His works occupy an intersection rarely achieved with such natural fluency: the emotional realism of post-war figurative art; the expressive linework of European draftsmanship; and the lyrical, social, and folkloric sensibilities of both Middle Eastern and Latin American traditions.

His career traces the arc of an artist deeply in tune with humanity—one who consistently depicted ordinary people with dignity, introspection, and a subtle but unmistakable empathy.

Early Life & Foundations (Haifa → Jerusalem)

Born in Haifa in 1935, Moshe Gat came of age in a young, rapidly transforming Israel. These surroundings—urban life, ports, laborers, immigrants, and multicultural neighborhoods—became the visual vocabulary that shaped nearly all of his later work.

He studied at the Bezalel Academy of Art and Design, the cradle of Israeli modernism, where he was trained in:

  • Academic drawing and draftsmanship

  • Techniques of classical European printmaking

  • Observational realism rooted in early Israeli figurative traditions

  • Landscape traditions mingled with humanistic portraiture

By his early twenties, Gat had already established himself as a technically formidable draftsman with a deep interest in lithography, woodblock-inspired mark-making, and tonal storytelling.

Transformational Period Abroad: Mexico, Europe, & the Birth of His Mature Style

In the late 1950s and early 1960s, Gat embarked on a series of study and work trips that permanently broadened his artistic voice.

Mexico — A Turning Point

His time in Mexico profoundly influenced him. There he encountered:

  • The Mexican Muralists (Orozco, Rivera, Siqueiros)

  • The Taller de Gráfica Popular printmaking collective

  • A culture where art was inseparable from social identity and the dignity of the working class

This exposure ignited in Gat a lifelong affinity for portraying everyday people—fishermen, musicians, dockworkers, mothers, laborers—through a lens of emotional authenticity. His mark-making also grew freer, more rhythmic, and more symbolic during this period.

Paris & Italy — Refinement, Structure, and Expression

While in Paris and Italy, Gat absorbed:

  • European expressionism

  • Postwar realism and figurative abstraction

  • Classical compositional balance

  • The vitality of modern graphic experimentation

These influences fused with his earlier training, allowing him to shift seamlessly between delicate linearity and bold gestural work, between quiet introspection and dramatic contrast.

His 1960s lithographs—including your 1964 example—are considered among his most compelling works, balancing expressive looseness with precision.

Signature Themes & Visual Language

Moshe Gat’s art is recognized for several defining characteristics:

Humanity & Modest Subjects

Whether portraying a dockside figure, a fisherman, a café scene, or a village musician, Gat imbued his subjects with an introspective, human depth. He rarely idealized; instead, he captured people in their natural emotional states—tired, contemplative, hopeful, or quiet.

Gestural, Calligraphic Linework

Gat’s hallmark is his fusion of:

  • Israeli realism

  • Japanese-influenced simplicity

  • Mexican graphic directness

  • European expressionist calligraphy

This creates a line quality that feels both spontaneous and deeply intentional.

Lithographic Mastery

His prints are distinguished by:

  • Dense, velvety blacks

  • Controlled washes of midtone

  • Raw, textured paper revealing atmospheric depth

  • Free-floating marks that feel symbolically charged

Your 1964 lithograph beautifully exemplifies this balance of realism and abstraction.

Return to Israel & Artistic Recognition

After his travels, Gat returned to Israel with a mature, internationally informed voice. His work resonated widely due to its accessibility, emotional honesty, and cultural authenticity.

He exhibited extensively, and his works entered significant collections, including:

  • Israeli museums

  • University collections

  • International private collectors

  • Cultural institutions in Europe and North America

Gat also taught, influencing a generation of Israeli artists by demonstrating how personal narrative and social storytelling could coexist with modernist graphic expression.

Late Career & Legacy

Gat remained artistically active for decades, continuing to create paintings, drawings, and prints that maintained:

  • A love for the human figure

  • A poetic approach to everyday subjects

  • A deep connection to laboring and working-class individuals

His passing in 2022 marked the end of a long, richly productive life in which he helped shape the identity of Israeli realist and expressionist printmaking.

Today, collectors increasingly re-evaluate his mid-century works—especially 1950s–1970s lithographs—as historically important examples of Israeli postwar graphic art.