“Seated Girl” by Evelyn Favus is a touching, expressive original lithograph capturing the tender emotional world of childhood—Favus’s signature subject. Hand-signed and numbered 76/200, this 16×17-inch mid-century print combines delicate linework, lyrical movement, and a gentle psychological presence. Collectors of figurative art, children’s portraiture, mid-century American prints, and emotional line drawing will find this a standout piece representing Favus at her most intimate and accomplished.
“Seated Girl” is a lyrical, soft-focused lithograph centered on a young girl rendered in Favus’s uniquely expressive, almost musical graphite line. The child sits among swirling floral or vegetal forms suggested through loose, improvisational marks. Favus’s mastery lies not in precision but in emotional atmosphere: the girl’s gently tilted head and shadowed facial features convey introspection and innocence without sentimentality.
The drawing technique is distinctly mid-century—fluid, gestural, emphasizing movement over strict form. The swirling marks that surround the figure recall Favus’s interest in the imaginative worlds of children, where play, nature, and dreamscapes blend seamlessly. Her line work alternates between whisper-soft strokes and bold, dark passages, suggesting both vulnerability and vitality.
The lithograph is signed “E. Favus” at the lower right and numbered 76/200 at the lower left. The approximate date (1960s–70s) aligns with the height of Favus’s career, when she produced a range of figurative prints rooted in psychological observation, emotional nuance, and her deep connection to the children she portrayed.
Favus’s inspiration grew from her lifelong fascination with childhood innocence and expressiveness. Having spent years in Lancaster, Pennsylvania, where Amish children became frequent subjects of her work, she developed a profound sensitivity to gesture, modesty, and unadorned humanity. Her earlier years in New York—where Andy Warhol was briefly one of her students—further shaped her understanding of the expressive potential of simplified form and direct emotional communication.
“Seated Girl” is an intimate example of Favus’s philosophy: art rooted in empathy, observation, and the belief that the smallest gesture can reveal an entire world.
Evelyn Favus was an American 20th-century artist celebrated for her emotionally resonant portraits of children, rendered in drawing, lithography, and mixed media. Born and raised in New York, Favus grew up immersed in the artistic vitality of the city, eventually training in drawing and design. During her early teaching years in New York, one of her young students was Andy Warhol, who would go on to revolutionize American art. Favus’s influence during this formative period was noted by peers and students alike.
Favus later relocated to Lancaster, Pennsylvania, where the environment profoundly shaped her artistic identity. Captivated by the quiet dignity and simplicity of Amish life, she devoted decades to depicting Amish children—capturing their gestures, innocence, and unguarded emotional expression. Her approach combined keen observation with a delicate, highly expressive line, resulting in portraits that were both tender and psychologically rich.
Her drawings and prints were shown in galleries across the United States and abroad, appreciated for their emotional clarity and refined draftsmanship. Critics frequently noted her ability to distill personality and mood through minimal marks, and former curator Benoit Menasche described her as “wonderfully creative,” emphasizing her gift for drawing out the inner life of her subjects.
Favus’s artistic style blended modernist influences with classical training—economical line, restrained composition, and an emphasis on emotional authenticity. She worked fluidly between media but is best remembered for her lithographs and graphite drawings, which highlight her mastery of gesture and her deep empathy for the children she portrayed.
Throughout her career, Favus remained committed to art as a lived, deeply personal practice. Whether teaching, drawing, or exhibiting, she carried an unwavering belief in the power of art to reveal the quiet truths of childhood and human connection.
Evelyn Favus (American, 20th c.)
Seated Girl, c.1960s–70s
Lithograph on paper
16 × 17 inches
Signed lower right “E. Favus,” numbered 76/200 lower left.
Condition: Very good; light handling consistent with age.
Provenance: Mitch Morse Gallery (NYC); Private Collection; Artfind Gallery, Washington, D.C.
Artist: Evelyn Favus (American, 20th century)
Title: Seated Girl (attributed)
Medium: Original lithograph on paper
Dimensions: 16 × 17 inches
Signature: Signed “E. Favus” lower right
Edition: 76/200
Date: c.1960s–70s
I certify that this artwork is an authentic lithograph by Evelyn Favus, consistent in style, technique, and signature with known works produced during the height of her career and acquired through reputable channels.
Evelyn Favus, artist – original creation
Publisher / gallery distribution, USA
Mitch Morse Gallery, New York – acquired directly and distributed
Private Collection, United States
Artfind Gallery, Washington, D.C. – current owner
AS IS - PLEASE EXAMINE PHOTO CAREFULLY—The paper is delightfully delicate and not perfectly flat, but should frame nicely.
“Seated Girl” by Evelyn Favus is a touching, expressive original lithograph capturing the tender emotional world of childhood—Favus’s signature subject. Hand-signed and numbered 76/200, this 16×17-inch mid-century print combines delicate linework, lyrical movement, and a gentle psychological presence. Collectors of figurative art, children’s portraiture, mid-century American prints, and emotional line drawing will find this a standout piece representing Favus at her most intimate and accomplished.
“Seated Girl” is a lyrical, soft-focused lithograph centered on a young girl rendered in Favus’s uniquely expressive, almost musical graphite line. The child sits among swirling floral or vegetal forms suggested through loose, improvisational marks. Favus’s mastery lies not in precision but in emotional atmosphere: the girl’s gently tilted head and shadowed facial features convey introspection and innocence without sentimentality.
The drawing technique is distinctly mid-century—fluid, gestural, emphasizing movement over strict form. The swirling marks that surround the figure recall Favus’s interest in the imaginative worlds of children, where play, nature, and dreamscapes blend seamlessly. Her line work alternates between whisper-soft strokes and bold, dark passages, suggesting both vulnerability and vitality.
The lithograph is signed “E. Favus” at the lower right and numbered 76/200 at the lower left. The approximate date (1960s–70s) aligns with the height of Favus’s career, when she produced a range of figurative prints rooted in psychological observation, emotional nuance, and her deep connection to the children she portrayed.
Favus’s inspiration grew from her lifelong fascination with childhood innocence and expressiveness. Having spent years in Lancaster, Pennsylvania, where Amish children became frequent subjects of her work, she developed a profound sensitivity to gesture, modesty, and unadorned humanity. Her earlier years in New York—where Andy Warhol was briefly one of her students—further shaped her understanding of the expressive potential of simplified form and direct emotional communication.
“Seated Girl” is an intimate example of Favus’s philosophy: art rooted in empathy, observation, and the belief that the smallest gesture can reveal an entire world.
Evelyn Favus was an American 20th-century artist celebrated for her emotionally resonant portraits of children, rendered in drawing, lithography, and mixed media. Born and raised in New York, Favus grew up immersed in the artistic vitality of the city, eventually training in drawing and design. During her early teaching years in New York, one of her young students was Andy Warhol, who would go on to revolutionize American art. Favus’s influence during this formative period was noted by peers and students alike.
Favus later relocated to Lancaster, Pennsylvania, where the environment profoundly shaped her artistic identity. Captivated by the quiet dignity and simplicity of Amish life, she devoted decades to depicting Amish children—capturing their gestures, innocence, and unguarded emotional expression. Her approach combined keen observation with a delicate, highly expressive line, resulting in portraits that were both tender and psychologically rich.
Her drawings and prints were shown in galleries across the United States and abroad, appreciated for their emotional clarity and refined draftsmanship. Critics frequently noted her ability to distill personality and mood through minimal marks, and former curator Benoit Menasche described her as “wonderfully creative,” emphasizing her gift for drawing out the inner life of her subjects.
Favus’s artistic style blended modernist influences with classical training—economical line, restrained composition, and an emphasis on emotional authenticity. She worked fluidly between media but is best remembered for her lithographs and graphite drawings, which highlight her mastery of gesture and her deep empathy for the children she portrayed.
Throughout her career, Favus remained committed to art as a lived, deeply personal practice. Whether teaching, drawing, or exhibiting, she carried an unwavering belief in the power of art to reveal the quiet truths of childhood and human connection.
Evelyn Favus (American, 20th c.)
Seated Girl, c.1960s–70s
Lithograph on paper
16 × 17 inches
Signed lower right “E. Favus,” numbered 76/200 lower left.
Condition: Very good; light handling consistent with age.
Provenance: Mitch Morse Gallery (NYC); Private Collection; Artfind Gallery, Washington, D.C.
Artist: Evelyn Favus (American, 20th century)
Title: Seated Girl (attributed)
Medium: Original lithograph on paper
Dimensions: 16 × 17 inches
Signature: Signed “E. Favus” lower right
Edition: 76/200
Date: c.1960s–70s
I certify that this artwork is an authentic lithograph by Evelyn Favus, consistent in style, technique, and signature with known works produced during the height of her career and acquired through reputable channels.
Evelyn Favus, artist – original creation
Publisher / gallery distribution, USA
Mitch Morse Gallery, New York – acquired directly and distributed
Private Collection, United States
Artfind Gallery, Washington, D.C. – current owner
AS IS - PLEASE EXAMINE PHOTO CAREFULLY—The paper is delightfully delicate and not perfectly flat, but should frame nicely.
