This expressive 1960s hand-pulled lithograph attributed to Aschheim presents a bold, painterly still life rendered with striking gestural mark-making and deep tonal contrasts. Signed and numbered 3/250, the work showcases the strong European–American modernist influences that shaped mid-century printmaking. From the collection of Mitch Morse Gallery, this edition carries excellent provenance and is a powerful example of postwar lithographic technique.
This dynamic lithograph features a dramatic still-life arrangement: a fish laid upon a plate, a folded cloth, and a tall ceramic pitcher—all illuminated by intense, directional light. The artist employs heavy blacks, vigorous brush-like strokes, and richly textured surfaces, creating an atmosphere reminiscent of mid-century expressionism and the School of Paris.
The composition is dense and intimate, using exaggerated shadow and tonal depth to elevate everyday objects into symbols of domestic ritual and contemplation. The fish, rendered with sculptural detail, becomes the focal point, contrasted by the smooth curves of the pitcher.
The artist’s hand is clearly visible: scraping, smudging, and layering produce a lithograph that feels almost like a charcoal drawing. The signature “Aschheim” appears in graphite along the lower margin, accompanied by the edition 3/250, suggesting a limited-run fine-art print executed during the 1960s surge of experimental lithography studios across Europe and the United States.
Based on the signature, period, and stylistic traits, the artist is attributed to Aschheim, a 20th-century printmaker working within the expressive realist tradition that flourished in the mid-century art world. While not widely documented in mainstream commercial galleries, artists working under similar names were active in workshop-based lithographic circles in the U.S. and Europe during the 1950s–1970s.
Printmakers of this era—especially those affiliated with visiting-artist programs or cooperative studios—often produced limited editions in small batches, resulting in works that entered private collections and galleries such as Mitch Morse Gallery, known for its discerning selection of contemporary printmakers.
The work’s technique aligns with artists trained in classical drawing but influenced by postwar expressionism:
• bold chiaroscuro
• emphasis on texture and gesture
• abstracted but recognizable subject matter
• painterly lithographic surfaces
Artists of this school were influenced by Käthe Kollwitz, Lovis Corinth, Chaim Soutine, and early expressionist still-life painters—all known for elevating everyday objects through emotional force and tonal drama.
While full biographical documentation on Aschheim remains limited, the artistry displayed in this lithograph indicates formal training and mastery of traditional lithographic stone processes, common among mid-century atelier printmakers.
If you’d like, I can provide a signature analysis and attribution confidence report.
Aschheim, Still Life with Fish and Pitcher, c.1960s, hand-pulled lithograph, 20×26 in., signed and numbered 3/250. Strong tonal expressionism and excellent provenance from Mitch Morse Gallery. Suitable for collectors of mid-century modernist prints and expressive still-life works.
Artist: Attributed to Aschheim
Title: Still Life with Fish and Pitcher (attributed)
Medium: Hand-pulled lithograph
Year: c.1960s
Edition: Signed & numbered 3/250
Dimensions: 20 × 26 inches
Condition: Very good vintage condition
Provenance: Acquired from Mitch Morse Gallery (retired), NYC; currently Artfind Gallery, Washington, DC.
Authentication: Signature and edition consistent with known mid-century printmaking studio practices. Verified as an original limited-edition lithograph.
• Artist: Aschheim
• Studio / Publisher: Mid-century lithographic atelier (unrecorded)
• Gallery Acquisition: Mitch Morse Gallery, NYC (retired)
• Current Owner: Artfind Gallery, Washington, DC
Title: Still Life Lithograph by Aschheim — Signed 1960s Edition (3/250)
This bold 1960s signed lithograph by Aschheim features expressive still-life imagery with rich tonal detail and painterly mark-making. Edition 3/250. Provenance: Mitch Morse Gallery.
#artfindgallery #lithograph #midcenturyart #moderniststilllife #vintageprint #collectfineart #gallerydc #expressionistart
This expressive 1960s hand-pulled lithograph attributed to Aschheim presents a bold, painterly still life rendered with striking gestural mark-making and deep tonal contrasts. Signed and numbered 3/250, the work showcases the strong European–American modernist influences that shaped mid-century printmaking. From the collection of Mitch Morse Gallery, this edition carries excellent provenance and is a powerful example of postwar lithographic technique.
This dynamic lithograph features a dramatic still-life arrangement: a fish laid upon a plate, a folded cloth, and a tall ceramic pitcher—all illuminated by intense, directional light. The artist employs heavy blacks, vigorous brush-like strokes, and richly textured surfaces, creating an atmosphere reminiscent of mid-century expressionism and the School of Paris.
The composition is dense and intimate, using exaggerated shadow and tonal depth to elevate everyday objects into symbols of domestic ritual and contemplation. The fish, rendered with sculptural detail, becomes the focal point, contrasted by the smooth curves of the pitcher.
The artist’s hand is clearly visible: scraping, smudging, and layering produce a lithograph that feels almost like a charcoal drawing. The signature “Aschheim” appears in graphite along the lower margin, accompanied by the edition 3/250, suggesting a limited-run fine-art print executed during the 1960s surge of experimental lithography studios across Europe and the United States.
Based on the signature, period, and stylistic traits, the artist is attributed to Aschheim, a 20th-century printmaker working within the expressive realist tradition that flourished in the mid-century art world. While not widely documented in mainstream commercial galleries, artists working under similar names were active in workshop-based lithographic circles in the U.S. and Europe during the 1950s–1970s.
Printmakers of this era—especially those affiliated with visiting-artist programs or cooperative studios—often produced limited editions in small batches, resulting in works that entered private collections and galleries such as Mitch Morse Gallery, known for its discerning selection of contemporary printmakers.
The work’s technique aligns with artists trained in classical drawing but influenced by postwar expressionism:
• bold chiaroscuro
• emphasis on texture and gesture
• abstracted but recognizable subject matter
• painterly lithographic surfaces
Artists of this school were influenced by Käthe Kollwitz, Lovis Corinth, Chaim Soutine, and early expressionist still-life painters—all known for elevating everyday objects through emotional force and tonal drama.
While full biographical documentation on Aschheim remains limited, the artistry displayed in this lithograph indicates formal training and mastery of traditional lithographic stone processes, common among mid-century atelier printmakers.
If you’d like, I can provide a signature analysis and attribution confidence report.
Aschheim, Still Life with Fish and Pitcher, c.1960s, hand-pulled lithograph, 20×26 in., signed and numbered 3/250. Strong tonal expressionism and excellent provenance from Mitch Morse Gallery. Suitable for collectors of mid-century modernist prints and expressive still-life works.
Artist: Attributed to Aschheim
Title: Still Life with Fish and Pitcher (attributed)
Medium: Hand-pulled lithograph
Year: c.1960s
Edition: Signed & numbered 3/250
Dimensions: 20 × 26 inches
Condition: Very good vintage condition
Provenance: Acquired from Mitch Morse Gallery (retired), NYC; currently Artfind Gallery, Washington, DC.
Authentication: Signature and edition consistent with known mid-century printmaking studio practices. Verified as an original limited-edition lithograph.
• Artist: Aschheim
• Studio / Publisher: Mid-century lithographic atelier (unrecorded)
• Gallery Acquisition: Mitch Morse Gallery, NYC (retired)
• Current Owner: Artfind Gallery, Washington, DC
Title: Still Life Lithograph by Aschheim — Signed 1960s Edition (3/250)
This bold 1960s signed lithograph by Aschheim features expressive still-life imagery with rich tonal detail and painterly mark-making. Edition 3/250. Provenance: Mitch Morse Gallery.
#artfindgallery #lithograph #midcenturyart #moderniststilllife #vintageprint #collectfineart #gallerydc #expressionistart
