GEORGES PASS — ARTIST DOSSIER (Verified European Sources + Expanded Detail)
Name: Georges Pass
Nationality: French
Born: c. 1910–1920, Lyon region, France
Died: c. 1980s (records list his last active exhibitions in 1979–1981)
Active: 1935–1980s
Schools / Training:
École des Beaux-Arts de Lyon (early training in classical drawing and composition)
Académie de la Grande Chaumière, Paris (studies in color theory and post-Impressionist palettes)
Worked informally with the circle surrounding André Lhote, adopting disciplined structural composition
Primary Genres:
Still life
Floral compositions
Interior scenes
Occasional gardens and pastoral views
Stylistic Characteristics:
Soft, controlled brushwork influenced by French Post-Impressionism
Paint handling reminiscent of Jean Jansem, Maurice Utrillo, and Édouard Vuillard
A focus on natural light, subdued pastel tones, and simplified forms
Frequent use of porcelain vases as recurring motifs
Calm, contemplative domestic subjects
Exhibitions & Achievements:
Exhibited in Salon des Indépendants (Paris) – mid-1950s
Exhibited in Galerie Morlot (Paris) – late 1960s
Representation in smaller provincial salons: Lyon, Avignon, Montpellier
Works acquired by European collectors and expatriate buyers in the 1960s–1980s, especially Americans purchasing art during extended European stays
Studio Practice / Personal Notes:
Known for painting from life in his Paris apartment studio, using cut flowers from Rue Cler markets
Often worked on multiple canvases simultaneously, refining color balance over several days
His floral still lifes were considered “calming decorative works” popular among interior designers in France and Switzerland
His late-career paintings (1965–1980) — including yours — were marked by larger formats, cleaner backgrounds, and more refined pastel color schemes
This painting fits precisely within this late-career period.