"“Children at Water’s Edge” (attributed), Anthony Michael Autorino (1937–2015), c.1976, 21-color serigraph, 11×8 in., signed MAAutorino, AP.

$1,900.00

“Children at Water’s Edge” (attributed), Anthony Michael Autorino (1937–2015), c.1976, 21-color serigraph, 11×8 in., signed MAAutorino, AP.

A luminous 21-color serigraph by American Impressionist Anthony Michael Autorino, Children at Water’s Edge captures childhood, light, and atmosphere with poetic restraint. Created circa 1976 and signed by the artist, this intimate print reflects the New Hope School tradition—softened edges, tonal harmony, and a reverence for life’s interconnectedness.

Artwork Description

Children at Water’s Edge (c.1976) is a refined 21-color serigraph that distills Anthony Michael Autorino’s lifelong meditation on unity, memory, and quiet human connection. Measuring 11 x 8 inches, the composition presents three youthful figures standing in shallow water, rendered with gestural economy and softened contours. Their forms appear suspended between presence and reflection, merging seamlessly with the surrounding atmosphere.

Autorino employs a layered serigraph process that mimics the translucency of oil paint. Subtle veils of blue, lavender, and sea-green create an enveloping field of light, while darker figural silhouettes anchor the composition. The figures are intentionally indistinct—faces suggested rather than defined—allowing the scene to function as both a specific moment and a universal memory.

Stylistically aligned with the American Impressionist and New Hope School traditions, the work echoes the tonal lyricism of George Inness and the atmospheric sensitivity of Edward Redfield, yet remains unmistakably Autorino’s own. The absence of hard edges reinforces his belief that no element exists in isolation—flesh, air, water, and light flow continuously into one another.

The serigraph is hand signed in pencil using Autorino’s distinctive conjoined signature device (“MAA” with the integrated M and A forms), followed by the remainder of his surname. This example is marked AP (Artist’s Proof), adding a layer of collectibility within the edition history.

Artist Biography

Anthony Michael Autorino (1937–2015) was born on September 29, 1937, in Montclair, New Jersey, to Italian immigrant parents. His early life instilled a strong sense of discipline and introspection—qualities that would later define both his artistic process and subject matter.

As a teenager, Autorino enlisted in the United States Air Force, serving an eight-year tour. Trained in cryptography, he was stationed in Paris during the mid-1950s as an Air Force sergeant at the United States Embassy. This posting proved formative: over nearly four years, Autorino studied art extensively in Paris while traveling throughout Holland and Italy, immersing himself in European painting, museums, and architectural traditions.

By the mid-1960s, New York City became the center of his professional career. Autorino emerged as a highly regarded American Impressionist whose work conveyed a profound reverence for life and continuity. His paintings and prints are characterized by softened focus, atmospheric depth, and a quiet emotional resonance.

Although best known for his oil paintings, Autorino’s serigraphs retain the same painterly sensibility. He drew inspiration from New Hope School predecessors—including Edward Redfield, Daniel Garber, William Lathrop, George Sotter, and Robert Spencer—as well as Hudson River School master George Inness. Rather than direct imitation, he synthesized these influences into a personal visual language that blended early twentieth-century aesthetics with contemporary subject matter.

Autorino exhibited widely at the National Academy of Design, the Salmagundi Club, Allied Artists, the American Watercolor Society, and the Philadelphia Sketch Club. He received numerous awards and honors, and his work is represented in private, institutional, and corporate collections internationally.

Reflecting on his philosophy, Autorino stated:
“Painting for me is simple communication through universal language, limited in scope only by one’s imagination and vocabulary.”
Today, his work is recognized as a continuing chapter in the American Impressionist and New Hope School legacy.

Anthony Michael Autorino (American, 1937–2015), Children at Water’s Edge (attributed), circa 1976.
21-color serigraph on paper, 11 x 8 inches.
Signed in pencil; Artist’s Proof.
A poetic American Impressionist print in the New Hope School tradition.

Certificate of Value & Authentication

This certifies that Children at Water’s Edge by Anthony Michael Autorino (1937–2015) is an authentic original 21-color serigraph created circa 1976. The work is hand signed by the artist using his distinctive conjoined “MAAutorino” signature and designated as an Artist’s Proof. Based on current market research, exhibition history, and comparable sales, this artwork holds established collector value within American Impressionist printmaking.

Provenance (Collector Format)

Anthony Michael Autorino, artist
→ Mitch Morse Gallery, New York City & Europe
→ Artfind Gallery, Washington, DC (current owner)

“Children at Water’s Edge” (attributed), Anthony Michael Autorino (1937–2015), c.1976, 21-color serigraph, 11×8 in., signed MAAutorino, AP.

A luminous 21-color serigraph by American Impressionist Anthony Michael Autorino, Children at Water’s Edge captures childhood, light, and atmosphere with poetic restraint. Created circa 1976 and signed by the artist, this intimate print reflects the New Hope School tradition—softened edges, tonal harmony, and a reverence for life’s interconnectedness.

Artwork Description

Children at Water’s Edge (c.1976) is a refined 21-color serigraph that distills Anthony Michael Autorino’s lifelong meditation on unity, memory, and quiet human connection. Measuring 11 x 8 inches, the composition presents three youthful figures standing in shallow water, rendered with gestural economy and softened contours. Their forms appear suspended between presence and reflection, merging seamlessly with the surrounding atmosphere.

Autorino employs a layered serigraph process that mimics the translucency of oil paint. Subtle veils of blue, lavender, and sea-green create an enveloping field of light, while darker figural silhouettes anchor the composition. The figures are intentionally indistinct—faces suggested rather than defined—allowing the scene to function as both a specific moment and a universal memory.

Stylistically aligned with the American Impressionist and New Hope School traditions, the work echoes the tonal lyricism of George Inness and the atmospheric sensitivity of Edward Redfield, yet remains unmistakably Autorino’s own. The absence of hard edges reinforces his belief that no element exists in isolation—flesh, air, water, and light flow continuously into one another.

The serigraph is hand signed in pencil using Autorino’s distinctive conjoined signature device (“MAA” with the integrated M and A forms), followed by the remainder of his surname. This example is marked AP (Artist’s Proof), adding a layer of collectibility within the edition history.

Artist Biography

Anthony Michael Autorino (1937–2015) was born on September 29, 1937, in Montclair, New Jersey, to Italian immigrant parents. His early life instilled a strong sense of discipline and introspection—qualities that would later define both his artistic process and subject matter.

As a teenager, Autorino enlisted in the United States Air Force, serving an eight-year tour. Trained in cryptography, he was stationed in Paris during the mid-1950s as an Air Force sergeant at the United States Embassy. This posting proved formative: over nearly four years, Autorino studied art extensively in Paris while traveling throughout Holland and Italy, immersing himself in European painting, museums, and architectural traditions.

By the mid-1960s, New York City became the center of his professional career. Autorino emerged as a highly regarded American Impressionist whose work conveyed a profound reverence for life and continuity. His paintings and prints are characterized by softened focus, atmospheric depth, and a quiet emotional resonance.

Although best known for his oil paintings, Autorino’s serigraphs retain the same painterly sensibility. He drew inspiration from New Hope School predecessors—including Edward Redfield, Daniel Garber, William Lathrop, George Sotter, and Robert Spencer—as well as Hudson River School master George Inness. Rather than direct imitation, he synthesized these influences into a personal visual language that blended early twentieth-century aesthetics with contemporary subject matter.

Autorino exhibited widely at the National Academy of Design, the Salmagundi Club, Allied Artists, the American Watercolor Society, and the Philadelphia Sketch Club. He received numerous awards and honors, and his work is represented in private, institutional, and corporate collections internationally.

Reflecting on his philosophy, Autorino stated:
“Painting for me is simple communication through universal language, limited in scope only by one’s imagination and vocabulary.”
Today, his work is recognized as a continuing chapter in the American Impressionist and New Hope School legacy.

Anthony Michael Autorino (American, 1937–2015), Children at Water’s Edge (attributed), circa 1976.
21-color serigraph on paper, 11 x 8 inches.
Signed in pencil; Artist’s Proof.
A poetic American Impressionist print in the New Hope School tradition.

Certificate of Value & Authentication

This certifies that Children at Water’s Edge by Anthony Michael Autorino (1937–2015) is an authentic original 21-color serigraph created circa 1976. The work is hand signed by the artist using his distinctive conjoined “MAAutorino” signature and designated as an Artist’s Proof. Based on current market research, exhibition history, and comparable sales, this artwork holds established collector value within American Impressionist printmaking.

Provenance (Collector Format)

Anthony Michael Autorino, artist
→ Mitch Morse Gallery, New York City & Europe
→ Artfind Gallery, Washington, DC (current owner)

(1976) by Anthony Michael Autorino is a splendid 11x8" serigraph that radiates a captivating serenity, encapsulating over four decades of stored artistry from a retired Manhattan gallery. Each piece signed and numbered as an artist's proof, it invites you into a tranquil world reflecting Autorino's deep reverence for life itself. Grounded in the hustle and bustle of 1960s New York City, his work whispers volumes about the interconnectedness of existence — a poetic fusion of flesh, air, light, leaves, and water. Within the gentle, sometimes hazy brushstrokes lies an invitation to recognize that boundaries blur in the grand tapestry of life. An ode to simplicity, Autorino expresses painting as a universal language where only imagination defines its limits. With a myriad of exhibitions under his belt, including esteemed venues like the National Academy of Design, this artwork stands as a testament to a visionary artist inspired by the greats of his time.

Step into the world of Anthony Michael Autorino, where solitude finds its artistic voice. Born to Italian immigrants in Montclair, New Jersey, he embraced a life full of experiences that shaped his understanding of existence. His journey took him from the bustling streets of New York City to the historical avenues of Paris, where he served in the Air Force and honed his craft amidst the rich tapestry of European culture.

This serigraph encapsulates Autorino's profound reverence for the interconnectedness of all life. With each brush stroke (or, in this case, each print), he weaves a narrative that blurs the lines between flesh, air, light, leaves, and water. It's a reminder that in solitude, we do not exist in isolation; rather, we are part of a larger whole—a harmonious symphony of existence.

Autorino's talent lies not only in his ability to capture beauty but also in his commitment to simple communication through art. This piece speaks to the heart and imagination, inviting viewers to explore the depths of their own solitude and the universal connections it holds.

Add a touch of whimsical depth to your collection with —a signed and numbered serigraph that celebrates the beauty of life in all its forms. A true treasure that beckons to be appreciated and shared.

Anthony Michael Autorino (1937 – 2015)

The son of Italian immigrants, Anthony Michael Autorino was born on September 29, 1937 in Montclair, New Jersey. As a teenager, Autorino enlisted in the United States Air Force where he served an eight-year tour. His expertise in the field of cryptography landed him in Paris in the mid-1950s as an Air Force sergeant working at the United States Embassy. He spent nearly four years, studying mostly in Paris, with frequent trips to Holland and Italy. By the mid-1960s, New York City had become the center of activity for the career of this highly regarded young artist.

His work reflects a basic reverence for life. In his sometimes blurred or out-of-focus softness comes a message that all things are related -flesh, air, light, leaves and water. There are no points where one ceases to be and another starts - and so life.

“Painting for me is simple communication through universal language, limited in scope only by one’s imagination and vocabulary.”

Anthony exhibited at the National Academy of Design in New York City, the Salmagundi Club, the Allied Artists, the American Watercolor Society and the Philadelphia Sketch Club. He has received many awards and honors for his paintings, which are represented in numerous private, institutional and corporate collections internationally.

His preferred medium is oil and he draws inspiration from his local predecessors, such as Edward Redfield, Daniel Garber, William Lathrop, George Sotter and Robert Spencer as well as “Hudson River School” great, George Inness.

Autorino’s work is unique in style and combines an early twentieth century feel with present-day subjects. His soft palette masterfully captures the mood of each individual setting from falling snow to nocturnal views of the Delaware River. Anthony’s work is clearly a continuing chapter in the story of “New Hope School” Impressionist painting.

https://www.pbs.org/wgbh/roadshow/appraisals/anthony-michael-autorino-oil-ca-2000/ - an appraisal on PBS

Note on Signature: He uses an artist signature device of conjoined letters: ‘M’ with a line through it which doubles as 2 A’s - first for Anthony, the M is for Michael and last A for Autorino. The ‘MAA’ is followed by a lower case ‘u’, and then the rest of his last name ‘Torino’.

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