Untitled (Lovers), Henry C. Meyer (1916–1987), c.1960s color lithograph, 12×10 in, pencil-signed, artist’s proof (A.P.).
A rare Artist’s Proof color lithograph by Henry C. Meyer (1916–1987), this intimate mid-century composition portrays two figures in a tender, romantic embrace, rendered with Meyer’s signature blend of expressive linework, soft modeling, and vibrant modernist color fields. Printed at Larchmont Studios and hand-signed by the artist, this 12×10 inch work is a scarce example of Meyer’s figurative emotional studies, offering collectors both rarity and exceptional visual warmth.
Artwork Description
This evocative lithograph captures a moment of profound, quiet closeness between two figures: a woman reclining gently into the protective arms of a male companion. Her gaze is dreamy and upward, while his expression is pensive, inward, and deeply connected. Together they occupy a space of emotional stillness—a hallmark of Meyer’s most tender narrative works.
The background is a layering of teal, indigo, black, and soft ochre washes, forming an abstracted, atmospheric cloud that envelops the figures and heightens their emotional centrality. The contrast between the cool surrounding hues and the warm tones of the figures’ skin and clothing creates visual tension and harmony, drawing the eye directly to the faces and hands.
Meyer’s linework reveals his technical mastery: subtle cross-hatching defines cheekbones, delicate contours shape the hands, and sweeping gestures outline the drapery. The woman’s garment, rendered in soft pinks and earth tones, contributes to the romantic mood, while the man’s patterned shirt subtly recalls Meyer’s background in textile design.
Printed as a hand-drawn color lithograph, this work reflects the artist’s skill with layered color stones, textured grounds, and gestural overprinting. The lower left bears the A.P. (Artist’s Proof) inscription, adding rarity; the lower right carries Meyer’s flowing pencil signature, consistent with authenticated examples from the same series. At 12 × 10 inches, it shares the intimate proportions of his other musician and portrait lithographs, making it a strong companion piece in a mid-century print collection.
Biography of Henry C. Meyer (1916–1987)
Henry C. Meyer was an American painter, draftsman, textile designer, and printmaker whose work traversed abstract modernism and expressive figuration. Born in 1916, he studied at the prestigious Cooper Union Art School in New York City, where he earned a Silver Medal recognizing his exceptional talent.
Meyer spent most of his career in New York, with periods of residence in Valley Stream, where he balanced fine art with freelance design work. His experience in textile design shaped the repeating motifs, rhythmic compositions, and bold color contrasts that appear throughout his paintings and lithographs.
Though widely recognized for his abstract paintings, Meyer produced a remarkable body of limited-edition lithographsin the 1960s and 1970s—many printed at Larchmont Studios, a center for fine-art printmaking in Larchmont, NY. These works span portraits, musicians, family scenes, and symbolic narratives, always infused with his characteristic sensitivity to line, texture, and human expression.
His exhibition record is extensive and includes:
• National Gallery, Washington, D.C.
• Museum of Modern Art, New York
• Princeton University
• Suffolk Museum
• Vendome Gallery, NYC
• Contemporary Arts, NYC
• Hofstra University
• Larchmont Gallery
Meyer received honors such as a Special Prize from the Decimal Triennial in Milan and a Purchase Prize from the U.S. Government. His works appear in several important institutional collections, including:
• Suffolk Museum, Long Island
• Graphic Arts Collection, Fifth Avenue Library, NYC
• Museum of Fine Arts, Reykjavík, Iceland
• U.S. Government Collection
• Numerous private collections internationally
Auction records establish his dates (1916–1987) and continued posthumous interest, particularly for his lithographs and intimate figurative works—of which this Artist’s Proof is a standout example.
Henry C. Meyer (American, 1916–1987), Untitled (Lovers), c.1960s, color lithograph on paper, 12×10 in, pencil-signed lower right, marked A.P. at lower left. Emotional mid-century portrait of two figures in embrace, printed at Larchmont Studios; a rare Artist’s Proof from Meyer’s sought-after figurative period.
Certificate of Value & Authentication
Artist: Henry C. Meyer (1916–1987)
Title: Untitled (Lovers)
Date: c.1960s
Medium: Color lithograph on paper
Dimensions: 12 × 10 inches
Edition: Artist’s Proof (A.P.)
Signature: Hand-signed “Henry C Meyer” in pencil, lower right; marked A.P. lower left
Technique: Multi-stone hand-drawn lithography consistent with Meyer’s Larchmont Studios period
Condition: Excellent vintage condition with only minor age toning typical of prints from the era
Authenticity:
Signature, proof notation, stylistic markers, and printing characteristics align with documented Meyer lithographs. This certificate affirms the authenticity of this original lithograph.
Provenance Chain (Collector-Formatted)
• Henry C. Meyer (1916–1987) – artist; lithograph created and signed
• Larchmont Studios, NY – original printing
• Mitch Morse Gallery, New York, NY – acquired directly for distribution
• Artfind Gallery, Washington, DC – current owner
Untitled (Lovers), Henry C. Meyer (1916–1987), c.1960s color lithograph, 12×10 in, pencil-signed, artist’s proof (A.P.).
A rare Artist’s Proof color lithograph by Henry C. Meyer (1916–1987), this intimate mid-century composition portrays two figures in a tender, romantic embrace, rendered with Meyer’s signature blend of expressive linework, soft modeling, and vibrant modernist color fields. Printed at Larchmont Studios and hand-signed by the artist, this 12×10 inch work is a scarce example of Meyer’s figurative emotional studies, offering collectors both rarity and exceptional visual warmth.
Artwork Description
This evocative lithograph captures a moment of profound, quiet closeness between two figures: a woman reclining gently into the protective arms of a male companion. Her gaze is dreamy and upward, while his expression is pensive, inward, and deeply connected. Together they occupy a space of emotional stillness—a hallmark of Meyer’s most tender narrative works.
The background is a layering of teal, indigo, black, and soft ochre washes, forming an abstracted, atmospheric cloud that envelops the figures and heightens their emotional centrality. The contrast between the cool surrounding hues and the warm tones of the figures’ skin and clothing creates visual tension and harmony, drawing the eye directly to the faces and hands.
Meyer’s linework reveals his technical mastery: subtle cross-hatching defines cheekbones, delicate contours shape the hands, and sweeping gestures outline the drapery. The woman’s garment, rendered in soft pinks and earth tones, contributes to the romantic mood, while the man’s patterned shirt subtly recalls Meyer’s background in textile design.
Printed as a hand-drawn color lithograph, this work reflects the artist’s skill with layered color stones, textured grounds, and gestural overprinting. The lower left bears the A.P. (Artist’s Proof) inscription, adding rarity; the lower right carries Meyer’s flowing pencil signature, consistent with authenticated examples from the same series. At 12 × 10 inches, it shares the intimate proportions of his other musician and portrait lithographs, making it a strong companion piece in a mid-century print collection.
Biography of Henry C. Meyer (1916–1987)
Henry C. Meyer was an American painter, draftsman, textile designer, and printmaker whose work traversed abstract modernism and expressive figuration. Born in 1916, he studied at the prestigious Cooper Union Art School in New York City, where he earned a Silver Medal recognizing his exceptional talent.
Meyer spent most of his career in New York, with periods of residence in Valley Stream, where he balanced fine art with freelance design work. His experience in textile design shaped the repeating motifs, rhythmic compositions, and bold color contrasts that appear throughout his paintings and lithographs.
Though widely recognized for his abstract paintings, Meyer produced a remarkable body of limited-edition lithographsin the 1960s and 1970s—many printed at Larchmont Studios, a center for fine-art printmaking in Larchmont, NY. These works span portraits, musicians, family scenes, and symbolic narratives, always infused with his characteristic sensitivity to line, texture, and human expression.
His exhibition record is extensive and includes:
• National Gallery, Washington, D.C.
• Museum of Modern Art, New York
• Princeton University
• Suffolk Museum
• Vendome Gallery, NYC
• Contemporary Arts, NYC
• Hofstra University
• Larchmont Gallery
Meyer received honors such as a Special Prize from the Decimal Triennial in Milan and a Purchase Prize from the U.S. Government. His works appear in several important institutional collections, including:
• Suffolk Museum, Long Island
• Graphic Arts Collection, Fifth Avenue Library, NYC
• Museum of Fine Arts, Reykjavík, Iceland
• U.S. Government Collection
• Numerous private collections internationally
Auction records establish his dates (1916–1987) and continued posthumous interest, particularly for his lithographs and intimate figurative works—of which this Artist’s Proof is a standout example.
Henry C. Meyer (American, 1916–1987), Untitled (Lovers), c.1960s, color lithograph on paper, 12×10 in, pencil-signed lower right, marked A.P. at lower left. Emotional mid-century portrait of two figures in embrace, printed at Larchmont Studios; a rare Artist’s Proof from Meyer’s sought-after figurative period.
Certificate of Value & Authentication
Artist: Henry C. Meyer (1916–1987)
Title: Untitled (Lovers)
Date: c.1960s
Medium: Color lithograph on paper
Dimensions: 12 × 10 inches
Edition: Artist’s Proof (A.P.)
Signature: Hand-signed “Henry C Meyer” in pencil, lower right; marked A.P. lower left
Technique: Multi-stone hand-drawn lithography consistent with Meyer’s Larchmont Studios period
Condition: Excellent vintage condition with only minor age toning typical of prints from the era
Authenticity:
Signature, proof notation, stylistic markers, and printing characteristics align with documented Meyer lithographs. This certificate affirms the authenticity of this original lithograph.
Provenance Chain (Collector-Formatted)
• Henry C. Meyer (1916–1987) – artist; lithograph created and signed
• Larchmont Studios, NY – original printing
• Mitch Morse Gallery, New York, NY – acquired directly for distribution
• Artfind Gallery, Washington, DC – current owner
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