“Waiting for Harry,” a 1960s limited-edition etching (16×22 in.), numbered 15/175, signed in pencil — a poised, contemplative figure study in profile.
“Waiting for Harry” is a mid-century etched portrait, signed and numbered 15/175, rendered on a 16 × 22-inch sheet. The piece features delicate linework, subtle tonal shading and a serene female profile, capturing a quiet moment of introspection. A compelling addition for collectors interested in 1960s figurative prints, modest-edition works, or thoughtfully composed etchings of everyday humanity.
Artwork Description:
This etching presents a woman in hat, turned in profile, her features softly defined through fine etched lines and gentle tonal washes. The composition balances negative space and figure, suggesting introspection or waiting, with a muted color palette and calm atmosphere. The edition number “15/175” suggests it was part of a modest‐sized, potentially privately issued series. The print appears to use classic intaglio techniques (etching, aquatint or tone printing), with a discernible plate mark and slightly raised ink characteristic of authentic etchings.
In this captivating fine art etching, a woman sits poised on the edge of anticipation, her gaze fixed intently on the horizon as if searching for Harry, the enigmatic figure who holds her attention. The delicate lines of the etching breathe life into her expression—an intriguing blend of hope and anxiety etched onto her features. The soft shadows dance around her form, lending depth to the scene while the background fades into an impressionistic blur, emphasizing her solitude in a world that seems to fade away. Each line and curve captures the essence of longing, inviting the viewer to imagine the unfolding story behind her wait. It's a piece that speaks volumes about the emotional landscapes we navigate in the pursuit of connection.
Artist: Unknown — signature present in pencil but not yet matched to a documented name.
Title: Waiting for Harry
Date: Circa 1960s (based on style, edition, and paper appearance)
Medium: Etching on paper (possibly aquatint or tonal etching)
Edition: 15/175 (pencil-numbered)
Dimensions: 16 × 22 inches (image size) — estimate from provided photo
Condition: Appears good — clear impression, visible plate mark, no obvious discoloration or damage (subject to in-person inspection).
Provenance: Acquired via Mitch Morse Gallery, New York (per owner’s collection history).
Certificate of Authenticity & Value (Draft):
Artist: Unknown (signed in pencil)
Title: Waiting for Harry
Date: 1960s (estimated)
Medium: Etching on paper
Edition: 15/175
Dimensions: 16 × 22 in.
Provenance: Mitch Morse Gallery → [Your Collection]
Condition: Good — impression intact, clear plate mark, margins present
Note: Artist identification pending. Authenticity presumed based on print characteristics and signature.
Provenance Chain:
Artist: Unknown
Mitch Morse Gallery, NYC (acquisition source)
Current Owner
“Waiting for Harry,” a 1960s limited-edition etching (16×22 in.), numbered 15/175, signed in pencil — a poised, contemplative figure study in profile.
“Waiting for Harry” is a mid-century etched portrait, signed and numbered 15/175, rendered on a 16 × 22-inch sheet. The piece features delicate linework, subtle tonal shading and a serene female profile, capturing a quiet moment of introspection. A compelling addition for collectors interested in 1960s figurative prints, modest-edition works, or thoughtfully composed etchings of everyday humanity.
Artwork Description:
This etching presents a woman in hat, turned in profile, her features softly defined through fine etched lines and gentle tonal washes. The composition balances negative space and figure, suggesting introspection or waiting, with a muted color palette and calm atmosphere. The edition number “15/175” suggests it was part of a modest‐sized, potentially privately issued series. The print appears to use classic intaglio techniques (etching, aquatint or tone printing), with a discernible plate mark and slightly raised ink characteristic of authentic etchings.
In this captivating fine art etching, a woman sits poised on the edge of anticipation, her gaze fixed intently on the horizon as if searching for Harry, the enigmatic figure who holds her attention. The delicate lines of the etching breathe life into her expression—an intriguing blend of hope and anxiety etched onto her features. The soft shadows dance around her form, lending depth to the scene while the background fades into an impressionistic blur, emphasizing her solitude in a world that seems to fade away. Each line and curve captures the essence of longing, inviting the viewer to imagine the unfolding story behind her wait. It's a piece that speaks volumes about the emotional landscapes we navigate in the pursuit of connection.
Artist: Unknown — signature present in pencil but not yet matched to a documented name.
Title: Waiting for Harry
Date: Circa 1960s (based on style, edition, and paper appearance)
Medium: Etching on paper (possibly aquatint or tonal etching)
Edition: 15/175 (pencil-numbered)
Dimensions: 16 × 22 inches (image size) — estimate from provided photo
Condition: Appears good — clear impression, visible plate mark, no obvious discoloration or damage (subject to in-person inspection).
Provenance: Acquired via Mitch Morse Gallery, New York (per owner’s collection history).
Certificate of Authenticity & Value (Draft):
Artist: Unknown (signed in pencil)
Title: Waiting for Harry
Date: 1960s (estimated)
Medium: Etching on paper
Edition: 15/175
Dimensions: 16 × 22 in.
Provenance: Mitch Morse Gallery → [Your Collection]
Condition: Good — impression intact, clear plate mark, margins present
Note: Artist identification pending. Authenticity presumed based on print characteristics and signature.
Provenance Chain:
Artist: Unknown
Mitch Morse Gallery, NYC (acquisition source)
Current Owner
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