“Silent Horizon” — 36×24 Acrylic on Paper by Petzlic | Minimalist Tonalist Landscape
“Silent Horizon” — 36×24 Acrylic on Paper by Petzlic | Minimalist Tonalist Landscape
This 36×24 acrylic-on-paper landscape by Hungarian-American painter Petzlic is a masterwork of minimalist tonal abstraction. Soft sands, grays, and muted lavenders drift across the horizon in layered horizontal strokes, creating a serene, meditative sense of atmosphere. A solitary tree cluster anchors the open expanse, balancing realism with poetic abstraction.
Signed and acquired from the retired Mitch Moore Gallery in NYC, this painting exemplifies Petzlic’s ability to merge European tonalism with the expansive quiet of American modernist landscapes. Ideal for collectors of atmospheric abstraction, minimalist landscapes, and post-war émigré artists.
DETAILED ARTWORK DESCRIPTION
Petzlic (Hungarian–American, mid-20th century)
Untitled Minimalist Tonal Landscape
Acrylic on Paper | 36 × 24 in. | Signed “Petzlic”
Provenance: Mitch Moore Gallery Inc., New York City
This 36×24 acrylic-on-paper landscape is one of the most minimalist and meditative compositions among your Petzlic works. It represents the extreme refinement of his mature tonal language—an atmospheric field of soft gradients and horizontal strokes that dissolve traditional landscape structure into pure mood and spaciousness.
Rendered in a restrained palette of warm sand, whisper-gray, pale fawn, muted lavender, sienna-beige, and soft cream, the composition unfolds as a serene expanse of layered bands. Each band—some translucent, some opaque—floats quietly across the picture plane like drifting geological shelves or distant plains seen through light fog.
Structural Elements
A small, solitary tree cluster sits near the center, grounding the composition and giving scale to the vastness around it.
The horizon dissolves into gentle tonal shifts, allowing sky and land to blend seamlessly.
Brushstrokes are wide, horizontal, intentional—echoing Japanese and Korean minimalism, European tonalism, and the open, contemplative spaces of the American Southwest.
Subtle glazing and dry-drag effects create a shimmering sense of depth, even in the most abstract passages.
This artwork exemplifies Petzlic’s unique ability to create landscapes that feel both real and unreal—evocative yet distilled. The image is a meditation on silence, distance, and the emotional resonance of open spaces.
ARTIST BIOGRAPHY — PETZLIC
Petzlic emigrated from Hungary to the United States after World War II. A painting prodigy from age twelve, he continued his studies at the Art Students League of New York, gaining exposure to both European émigré modernism and American abstract expressionist approaches.
His work blends:
Central European tonal landscape tradition,
American Southwestern luminosity,
A poetic form of abstracted horizon-painting,
Soft atmospheric dissolves and broad gestures reminiscent of post-war modernism.
Petzlic exhibited in the U.S., Hungary, Italy, Spain, and Switzerland, and his works appear in private collections internationally.
Petzlic (Hungarian-American, mid-20th c.)
Silent Horizon
Acrylic on Paper | 36×24 in. | Signed
Provenance: Mitch Moore Gallery Inc., NYC
Minimalist tonal landscape with layered horizontal fields and small central tree cluster. Excellent vintage condition.
CERTIFICATE OF AUTHENTICATION
Artist: PETZLIC (Hungarian-American)
Title: Silent Horizon (assigned catalog title)
Medium: Acrylic on Paper
Dimensions: 36 × 24 in.
Signature: Lower right “Petzlic”
Date: c. 1960s–1980s
Provenance: Mitch Moore Gallery Inc., NYC → Artfind Gallery, Washington DC
Condition:
Excellent vintage condition; flat and clean paper surface; no tears, dents, foxing, or discoloration.
PROVENANCE CHAIN
Artist: Petzlic (Hungarian-American)
Gallery: Mitch Moore Gallery Inc., NYC (retired)
Private Dealer Transfer / Inventory Release
Current Owner: Artfind Gallery, Washington DC
“Silent Horizon” — 36×24 Acrylic on Paper by Petzlic | Minimalist Tonalist Landscape
This 36×24 acrylic-on-paper landscape by Hungarian-American painter Petzlic is a masterwork of minimalist tonal abstraction. Soft sands, grays, and muted lavenders drift across the horizon in layered horizontal strokes, creating a serene, meditative sense of atmosphere. A solitary tree cluster anchors the open expanse, balancing realism with poetic abstraction.
Signed and acquired from the retired Mitch Moore Gallery in NYC, this painting exemplifies Petzlic’s ability to merge European tonalism with the expansive quiet of American modernist landscapes. Ideal for collectors of atmospheric abstraction, minimalist landscapes, and post-war émigré artists.
DETAILED ARTWORK DESCRIPTION
Petzlic (Hungarian–American, mid-20th century)
Untitled Minimalist Tonal Landscape
Acrylic on Paper | 36 × 24 in. | Signed “Petzlic”
Provenance: Mitch Moore Gallery Inc., New York City
This 36×24 acrylic-on-paper landscape is one of the most minimalist and meditative compositions among your Petzlic works. It represents the extreme refinement of his mature tonal language—an atmospheric field of soft gradients and horizontal strokes that dissolve traditional landscape structure into pure mood and spaciousness.
Rendered in a restrained palette of warm sand, whisper-gray, pale fawn, muted lavender, sienna-beige, and soft cream, the composition unfolds as a serene expanse of layered bands. Each band—some translucent, some opaque—floats quietly across the picture plane like drifting geological shelves or distant plains seen through light fog.
Structural Elements
A small, solitary tree cluster sits near the center, grounding the composition and giving scale to the vastness around it.
The horizon dissolves into gentle tonal shifts, allowing sky and land to blend seamlessly.
Brushstrokes are wide, horizontal, intentional—echoing Japanese and Korean minimalism, European tonalism, and the open, contemplative spaces of the American Southwest.
Subtle glazing and dry-drag effects create a shimmering sense of depth, even in the most abstract passages.
This artwork exemplifies Petzlic’s unique ability to create landscapes that feel both real and unreal—evocative yet distilled. The image is a meditation on silence, distance, and the emotional resonance of open spaces.
ARTIST BIOGRAPHY — PETZLIC
Petzlic emigrated from Hungary to the United States after World War II. A painting prodigy from age twelve, he continued his studies at the Art Students League of New York, gaining exposure to both European émigré modernism and American abstract expressionist approaches.
His work blends:
Central European tonal landscape tradition,
American Southwestern luminosity,
A poetic form of abstracted horizon-painting,
Soft atmospheric dissolves and broad gestures reminiscent of post-war modernism.
Petzlic exhibited in the U.S., Hungary, Italy, Spain, and Switzerland, and his works appear in private collections internationally.
Petzlic (Hungarian-American, mid-20th c.)
Silent Horizon
Acrylic on Paper | 36×24 in. | Signed
Provenance: Mitch Moore Gallery Inc., NYC
Minimalist tonal landscape with layered horizontal fields and small central tree cluster. Excellent vintage condition.
CERTIFICATE OF AUTHENTICATION
Artist: PETZLIC (Hungarian-American)
Title: Silent Horizon (assigned catalog title)
Medium: Acrylic on Paper
Dimensions: 36 × 24 in.
Signature: Lower right “Petzlic”
Date: c. 1960s–1980s
Provenance: Mitch Moore Gallery Inc., NYC → Artfind Gallery, Washington DC
Condition:
Excellent vintage condition; flat and clean paper surface; no tears, dents, foxing, or discoloration.
PROVENANCE CHAIN
Artist: Petzlic (Hungarian-American)
Gallery: Mitch Moore Gallery Inc., NYC (retired)
Private Dealer Transfer / Inventory Release
Current Owner: Artfind Gallery, Washington DC
“WESTERN LANDSCAPE”-
PETZLIC - Oil Painting - Signed
36 x 24 inches.
ORIGINAL OIL PAINTING HAND SIGNED BY ARTIST. From the retired Mitch Moore Gallery Inc, NYC. Unmatted, never framed or displayed. Image area is in very good frameable vintage condition.
ARTISTS BIO: PETZLIC
Petzlic left his native Hungary after World War II eager to start a new life in the U.S. He enrolled in the Art Students League in New York to further develop his natural talent for painting which he started to pursue at the age of twelve. He is considered a master in rendering landscapes in abstractions with a particular interest in and a flair for executing the wide open spaces of the Southwestern U.S. where is has spent much time. His precise and spontaneous strokes to recreate luminous landscape scenes are widely acclaimed. He has exhibited in the U.S., Hungary, Spain, Italy and Switzerland where he can be found in many private collections. He has numerous group shows to his credit both here in the U.S. and in Europe.