“WHITE OAK”- WILLIAM OMURCADA - Serigraph - Signed & Numbered - 32/475
OMURCADA'S early years were spent in New England, followed by extensive travel in Europe and North Africa which afforded the appropriate stimulus to develop Omurcada's sensitivity for the visual arts and poetry. Extensive study with Antonio Frasconi, Robert Carty, plus extensive experimentation with woodblock and relief printing. More than 60 editions of serigraphs, all of which are pulled by Omurcada personally, have been published and widely distributed nationally, as well as overseas. The painterly quality he has achieved incorporating relief textures with blended fonts, has resulted in considerable acceptance of his work.
OMURCADA'S early years were spent in New England, followed by extensive travel in Europe and North Africa which afforded the appropriate stimulus to develop Omurcada's sensitivity for the visual arts and poetry. Extensive study with Antonio Frasconi, Robert Carty, plus extensive experimentation with woodblock and relief printing. More than 60 editions of serigraphs, all of which are pulled by Omurcada personally, have been published and widely distributed nationally, as well as overseas. The painterly quality he has achieved incorporating relief textures with blended fonts, has resulted in considerable acceptance of his work.
OMURCADA'S early years were spent in New England, followed by extensive travel in Europe and North Africa which afforded the appropriate stimulus to develop Omurcada's sensitivity for the visual arts and poetry. Extensive study with Antonio Frasconi, Robert Carty, plus extensive experimentation with woodblock and relief printing. More than 60 editions of serigraphs, all of which are pulled by Omurcada personally, have been published and widely distributed nationally, as well as overseas. The painterly quality he has achieved incorporating relief textures with blended fonts, has resulted in considerable acceptance of his work.
“WHITE OAK”-
WILLIAM OMURCADA - Serigraph - Signed & Numbered - 37/285
26 x 40 inches. Image: 15.75 x 30 inches
LIMITED EDITION HAND PULLED & DRAWN ORIGINAL SERIGRAPH, NUMBERED & HAND SIGNED BY ARTIST. From the retired Mitch Moore Gallery Inc, NYC. Unmatted, never framed or displayed. Image area is in very good frameable vintage condition.
ARTISTS BIO: William Omurcada was born June 28, 1947, in Boston, Massachusetts.
EDUCATION: Harvard University, B.A. 1969
BACKGROUND: Harvard Medical School-1070 Surgical Research Dept., working in Immunology. 1971-Moved to Washington, D.C., completing first volume of poetry, "The Tourist".; 1972-Moved to Santa Barbara, California studying art and literature under Robert Carty, Director of the Santa Barbara Art Institute. Became active with print making under the direction of David Maulhardt.
His EARLY YEARS were spent in New England, followed by extensive travel in Europe and North Africa which afforded the appropriate stimulus to develop Omurcada's sensitivity for the visual arts and poetry. He settled in California in 1972 where he started his fine arts career as an assistant printmaker. This practical experience has been combined with extensive study with Antonio Frasconi at the University of California, Santa Barbara and Robert Carty, Director of the Santa Barbara Art Institute, Plus extensive experimentation with woodblock and relief printing.
MORE THAN 60 EDITIONS OF SERIGRAPHS, all of which are pulled by Omurcada personally, have been published and widely distributed nationally, as well as overseas. The painterly quality he has achieved incorporating relief textures with blended fonts, has resulted in considerable acceptance of his work.
